13

A hilarious, coming-of-age musical about discovering that "cool" is sometimes where we least expect it.

Geek. Poser. Jock. Beauty Queen. Wannabe. These are the labels that can last a lifetime. With an unforgettable rock score from Tony Award-winning composer, Jason Robert Brown, (Parade, The Last Five Years, Bridges of Madison County) 13 is a musical about fitting in – and standing out!

Evan Goldman is plucked from his fast-paced, preteen New York City life and plopped into a sleepy Indiana town following his parents divorce. Surrounded by an array of simpleminded middle school students, he needs to establish his place in the popularity pecking order. Can he situate himself on a comfortable link of the food chain... or will he dangle at the end with the outcasts?!?

Composed of a precocious cast, no character in 13 is older than the show's title, making it wonderful for theatre companies that feature young artists. In the Broadway production, even the band was made up of teens, which is a fantastic way to involve a diverse group of artists. The cast is comprised entirely of teenagers, but the stories that come to life here are ageless, the emotions they explore timeless, the laughter and the memories they provide priceless.

Full Synopsis Materials and Orchestration

Concert Selections for 13

Concert Selections are original Broadway orchestrations and exciting new symphonic arrangements of select songs for use in concert performances. Concert Selections are the perfect way to give audiences a taste of the musical theatre experience without the sets, props and costumes.

Pricing

Pricing is for individual songs only.

Pricing for Orchestral Suites and other items can be provided on receipt of your Application Form.

Amateur

A$99.50 for 1st five minutes (Base Hire rate)

A$19.00 per minute thereafter (to a maximum of 40 minutes for Small Rights works)

The minimum Base Hire period is 2 months which is calculated from the date required to the first performance date.

Extra months are charged at 25% of the hire fee per month or part thereof.

A 50% discount of the Base Hire fee is available for 2^nd and subsequent performances provided the fee is not less than the Base Hire rate (amateur only).

If your order requires immediate processing, a A$44.00 Priority Fee per work is applicable.

Professional

We will provide a quote once we receive your Application Form.

BRAND NEW YOU

From
13

First Performance Fee:
$175
Each Additional Performance:
$100

Music by
Jason Robert Brown

Lyrics by
Jason Robert Brown

Orchestrated by
Jason Robert Brown

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Arrangement Details
Song Type: Show Extraction
A show extraction is taken directly from the licensed show materials. No edits have been made to the song.

Starting Key
F

Estimated duration
3 min 03 sec
Instrumentation
(2x) PIANO/CONDUCTOR SCORE, (20x) VOCAL BOOK, (1x) KEYBOARD 2, (1x) GUITAR 1 (Electric), (1x) GUITAR 2 (Electric), (1x) BASS (Electric), (1x) DRUMS

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Show Essentials

Music and Lyrics by

Book by

Songs

13/Becoming a Man

The Lamest Place in the World

Hey Kendra

Get Me What I Need

Opportunity

What It Means To Be a Friend

All Hail the Brain/Terminal Illness

Getting Ready

Any Minute

Bad Bad News

Tell Her

It Can't Be True

If That's What It Is

Evan's Haftorah/A Little More Homework

Brand New You

Full Song List

Price

Upcoming

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Digital Scripts & Scores – Powered by ProductionPro

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Performance Accompaniment Recording

Perform your entire musical with a pre-recorded score played by a full orchestra of LIVE professional musicians right from your Apple iOS device.

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Performance Accompaniment Recording (Rehearsal Tracks Only)

Rehearse your entire musical with a pre-recorded score played by a full orchestra of LIVE professional musicians.

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RehearScore® (App)

Run rehearsals straight from your mobile device using a virtual accompanist that plays every note of your show’s score.

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Scenic Projections™

Elevate your production with affordable, script-accurate, animated digital scenery by Broadway Media.

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Study Guide

Facilitate cross-curricular learning in class with lessons created by educational theatre experts.

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Transpositions-On-Demand

Change the key of any song and optimize your performer’s vocal range.

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Questions & Answers

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By Cynthia McKeen

January 24, 2012

13, the Musical. Dealing with fear.

Just finished a production of 13. LOVE LOVE LOVE this sweetly innocent funny sassy show..and yes, I said innocent. BUT I am getting A LOT of flack from my community. I was so shocked...all I saw were these typical/stereotypical characters played by lovely children experiencing awkwardness and beauty...I have found out there have been calls to my superintendent and my principal about the content. I thought I had lost my mind. I thought I had been punked. Have I missed the adolescent curiosity and exploration? The fear of being rejected for , well, anything? The need to be accepted and the desperation to be a part of something? I have NEVER shied away from any conversation with my students. I answer simply the questions asked, and I always refer them to their parents first for their input. Many colleagues are reeling as well. I didn't think it was insulting or complicated at all. I thought and still think it was beautiful and funny and uncomfortable and amazing...just like adolescence. Please advise. How do I bring a community back together? The knives in my back are beginning to sting.

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By Arthur Gross

August 22, 2011

13 the musical for middle school

Here's my 2nd try at posting this!I'm thinking about putting on 13 with my middle school students this year. Ironically (unfortunately) I think the show may inappropriate (language, themes) to be put on at a public school. Anyone have any thoughts on this , or how to "clean" up the show?Also, I saw the show on Broadway, and realize there was a good deal of material cut from the version that is available for production. Is it possible to make the same cuts? It seems to make sense that if the creators made these cuts for a more successful show, that they intended to keep these cuts for successful future productions. I know shows are to be performed as written, but it seems these cuts would enhance the show. Any ideas?

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