Skip to main content
1776
Witness the birth of a nation as our forefathers struggle to craft the Declaration of Independence.
13
Roles
+ Ensemble
PG
Rated
2
Acts
Full Synopsis

It is May 8, 1776. In Philadelphia, the weather is swelteringly hot and humid as the Second Continental Congress proceeds through its business. John Adams, the representative from Massachusetts, vigorously complains about congressional inaction on his proposals for Independence. He lists various grievances against King George III and urges a vote. The other delegates are irritated by his constant arguments ("For God's Sake, John, Sit Down"). Adams complains that Congress has accomplished nothing, even though the delegates have been meeting for over a year ("Piddle, Twiddle").

Frustrated by the seemingly insurmountable Congressional lassitude, Adams flees the chamber and reads a letter from his wife, Abigail. She asks him to finish his business in Philadelphia and return home to her and their sick children. As if his imagination has brought her before him, John asks Abigail if she has organized the women of Boston to make saltpetre. a substance that is needed for making gunpowder. She reminds him that he hasn't told her how to make saltpetre and, furthermore, the women won't make it until he procures dressmaker's pins for them. They end their conversation by pledging themselves to each other as Abigail disappears ("Til Then").

Adams goes off to find Benjamin Franklin; he is having his portrait painted. After Adams complains that his arguments for Independence have not prevailed, Franklin reminds him that no colony has ever broken away from its parent country before. He also reminds Adams that he is obnoxious and disliked by the Congress, suggesting that the Congress might accept Independence if someone else proposed it. Enter Richard Henry Lee, a delegate from Virginia. Lee offers to get a proposal from the Virginia legislature himself. When Adams questions Lee's ability to accomplish this, Lee explains that his family history makes him the perfect person for the job ("The Lees of Old Virginia").

On June 7, 1776, Dr. Lyman Hall, a new delegate from Georgia, arrives in the Congressional Chamber and is greeted by McNair, the Congressional custodian. McNair introduces him to the entering delegates, each of whom asks about Georgia's stand on Independence. Hall is for it, but his constituents are not; he is unsure whether his job is to vote their opinion or his conscience. Franklin and Adams enter; Adams is anxiously awaiting Lee's return. Hancock gavels the 380th meeting of the Congress to order. When Thomson notes that all members are present, except for the New Jersey delegation and Lee, Hancock asks Franklin if he knows the reason for their absence. Franklin, whose son is the royal governor of New Jersey, informs the Congress that he and his son have stopped communicating due to their differences over Independence. Hancock then asks Thomas Jefferson for the weather report. Jefferson gives it and announces his intention to go home to see his wife that night.

A courier enters and gives Thomson a communiqué from George Washington, the commander of the Army of the United Colonies. Washington's letter speaks of his fear that his exhausted and underequipped troops will be unable to stop a large force of British soldiers from attacking New York. If the attack is successful and New York is captured, New England will be separated from the other colonies. Colonel Thomas McKean, a delegate from Delaware, complains that Washington's letters are always gloomy and depressing.

Suddenly, Lee returns. He reads the resolution for Independence, and Adams seconds it. As Hancock calls for debate on the resolution, John Dickinson of Pennsylvania makes a motion to indefinitely postpone the question of Independence. The motion is seconded, but the Congress ultimately votes to debate the issue. The most vocal delegates state their positions: Dickinson is in favor of petitioning King George III on the colonists' grievances and he is against cutting ties to England through revolt and revolution. Adams and Franklin argue that England has not granted the colonists the full rights of Englishmen and it is too late to reconcile. The delegates from North and South Carolina worry about the power of the individual colonies in any new federation.

 As the argument between Dickinson and Adams grows more heated, Caesar Rodney of Delaware, who suffers from cancer, collapses. Col. McKean takes him back home. Seeing that the voting majority will go his way, Edward Rutledge of South Carolina moves to vote on Independence. The New Jersey delegation arrives, led by Rev. John Witherspoon, who announces that they have been authorized to vote for Independence. Now it looks like the vote will be six for Independence and six against, with one abstention. Hancock, the President of the Congress, will have the deciding vote in a tie. Dickinson, worried that the resolution might pass, moves that any vote for Independence must be passed unanimously. His motion is seconded; the vote produces a tie, which Hancock breaks by voting for a unanimous decision.

The vote for Independence is called again. Adams now calls for a postponement; they need time to write a declaration defining the reasons for Independence. This motion is seconded, and the vote produces another tie, which Hancock breaks by voting for postponement. He chooses Adams, Franklin, Lee, Roger Sherman of Connecticut and Robert Livingston of New York to write the declaration, announcing that it must be written, debated and passed by the beginning of July. Lee declines, so Hancock appoints Jefferson in his place. Hancock adjourns the session as Jefferson complains that he must go home to visit his wife. The Declaration Committee argues about who should write it, and they choose Jefferson ("But, Mr. Adams"). Jefferson tries to decline so that the can go home, but Adams threatens to use physical force on him and thrusts a quill pen into Jefferson's hand. Adams and the others leave as Jefferson walks back to his quarters with the pen.


When Adams and Franklin visit Jefferson a week later to check on his progress, they find him surrounded by crumpled pieces of paper. He is lonely, depressed, uninspired and has made no progress. Jefferson's wife, Martha, arrives. John has sent for her in hopes of speeding up Jefferson's writing but, upon her arrival, Jefferson doesn't seem much interested.

The Jeffersons stay locked in their room all day and into the night. Adams exchanges letters with his wife, Abigail. When he asks her to come to Philadelphia, she tells him that she can't, as their children have the measles. They speak of their love and promise to see each other soon ("Yours, Yours, Yours"). When Martha finally opens the shutters, Adams and Franklin ask her how a man as quiet as Jefferson won her love. She says that she loves his violin playing ("He Plays the Violin"). Jefferson enters as Martha, Adams and Franklin are dancing. Jefferson takes Martha back to his room as Franklin and Adams salute the greatness of the fiddler.

It is now June 22nd and the Congress is back in session. Delegates read, talk, eat and sleep in the chamber as various committees are formed. The courier enters with a message from General Washington. He reports on the poor state of his troops and asks the Congress to send a War Committee to New Jersey to boost morale. As the War Committee leaves for New Jersey, the other delegates in favor of Independence also leave. Dickinson and the Conservatives explain their caution and their desire to hold onto their wealth ("Cool, Cool Considerate Men"). The courier then delivers another message from Washington: the British have taken control of New York Harbor and he fears that they will next move on to Philadelphia. The delegates all depart, leaving McNair, the Courier and a workman in the chamber. When the workman asks the Courier, who is from Massachusetts, if he's seen any fighting, the Courier tells them about his two best friends who were killed on the same day ("Momma, Look Sharp").

Jefferson is waiting outside of the chamber as Hancock orders Thomson to read the declaration. Adams and Franklin approach Jefferson and congratulate him on the excellence of the document. Franklin compares the creation of the new country to an egg, which leads the trio to discuss which bird should be the symbol for America ("The Egg"). After considering the dove or the turkey, they settle on the eagle.

After the reading of Jefferson's declaration, Hancock asks if any delegates want to offer amendments, deletions or alterations to it. There are several suggestions to which Jefferson agrees but, when Dickinson wants him to remove a reference to King George III as a tyrant, Jefferson refuses. As Hancock is about to call for a vote on the Declaration, Rutledge of South Carolina objects to the inclusion of slavery and the slave trade as a grievance. Jefferson says that he has freed his slaves and will not change that part of the declaration. Rutledge also refuses to budge and calls the Northerners who denounce slavery hypocrites as the entire country's economy is dependent on the slave trade ("Molasses to Rum"). Rutledge and Hewes of North Carolina and Hall of Georgia angrily leave the chamber. Without the South, the Declaration cannot be adopted.

Chase returns and happily reports that, based on what he saw in New Brunswick, the Maryland Assembly has approved the Virginia resolution. Dickinson and four other delegates leave in disgust. Faced with almost certain defeat, Adams desperately tries to rally his forces. He sends McKean to Delaware to bring back the ailing Rodney. Franklin then insists that Adams agree to the removal of the slavery clause in order to get the South. Adams calls to his wife for help and advice. As they speak, McNair delivers two kegs of saltpetre that were made by Abigail and the women of Boston ("Compliments"). Adams, his faith in the cause renewed, tells Jefferson and Franklin to talk to all of the wavering delegates – they must get every vote. Thomson reads a message from a discouraged Washington that asks for a reply to his last fifteen messages. He and Hancock leave Adams alone in the chamber. Adams looks at the dispatch from Washington that warns of impending doom and disaster. Deterred but determined, Adams gives voice to his vision of the new country ("Is Anybody There?").

Hall reenters the chamber and tells Adams that he has decided to vote for Independence. The other delegates, including Caesar Rodney, return, and Hancock calls for the vote on the Virginia resolution. The delegates are silent as Thomson calls on each for his vote. New York abstains and Pennsylvania passes. Franklin is furiously trying to convince Judge Wilson, the third Pennsylvania delegate, to swing to his side. All of the other northern and middle colonies vote "Yea." When South Carolina is called, Rutledge demands the removal of the slavery clause as the condition for the votes of South and North Carolina. With heavy hearts, Adams and Jefferson agree. South Carolina, North Carolina and Georgia vote "Yea." When Pennsylvania's vote is called again, Franklin asks Hancock to poll each of them. Franklin votes "Yea" and Dickinson votes "Nay," leaving the deciding vote to Wilson, who usually votes whichever way Dickinson does. This time, however, worried that his name will go down in history as the one man who prevented American Independence, he votes "Yea." Hancock asks that only those who sign their names to the Declaration of Independence be allowed to sit in the Congress. Dickinson, still hoping for a reconciliation with England, announces that he cannot, in good conscience, sign the Declaration, but tells the Congress that he will join the Army and fight to protect the new country. Adams leads the Congress in a salute to Dickinson as he leaves the chamber.

As Hancock leads the delegates in signing the Declaration, the Courier enters with another dispatch from Washington. It reports that preparations are almost complete for the battle of New York, simultaneously expressing worry about America's badly outnumbered and undertrained troops. 



On the evening of July 4, 1776, the Liberty Bell rings in the background as Thomson calls each of the delegates to sign their names to the Declaration of Independence.

John Adams

Delegate from Massachusetts. John is a dutiful husband. Opinionated, passionate, and a bit boisterous, he wears his age with pride. Starving for independence from England.

Gender: male

Vocal range top: F#4

Vocal range bottom: C3

Stephen Hopkins

Delegate from Rhode Island. Hopkins' drinking has led to an appearance befitting of the 2nd oldest in the Continental Congress. He has a dirty old man playfulness about him.

Gender: male

Vocal range top: Eb4

Vocal range bottom: C3

Roger Sherman

Delegate from Connecticut. A coffee drinker with a penchant for hyperactivity, Sherman is a simple and balding cobbler.

Gender: male

Vocal range top: Bb4

Vocal range bottom: C3

Robert Livingston

Delegate from New York. Recently a father, Livingston's disposition has become one of humility and graciousness. He has changed considerably over the years.

Gender: male

Vocal range top: F4

Vocal range bottom: Bb2

Benjamin Franklin

Delegate from Pennsylvania. Franklin is intelligent, well-traveled, and pleasantly cunning. A jolly and admirable fellow with whom one would desire to have a friendship.

Gender: male

Vocal range top: Eb4

Vocal range bottom: Ab2

John Dickinson

Delegate from Pennsylvania. A thin, hawkish gentleman. He is sharp-tongued and a touch detestable.

Gender: male

Vocal range top: E4

Vocal range bottom: A2

Col. Thomas Mckean

Delegate from Delaware. McKean is florid and likable with a charming, yet commanding, Scottish Brogue.

Gender: male

Vocal range top: Eb4

Vocal range bottom: C3

Richard Henry Lee

Delegate from Virginia, Lee is a willowy aristocrat. His flamboyancy is intoxicating and borderline infuriating.

Gender: male

Vocal range top: G4

Vocal range bottom: C3

Thomas Jefferson

Delegate from Virginia. Though noticeably tall, Jefferson is mild-mannered and sweet. Along with being a well read man, he is very much in love with his wife.

Gender: male

Vocal range top: G4

Vocal range bottom: C3

Edward Rutledge

Delegate from South Carolina. Despite his good looks, Rutledge is haunting and somewhat ominous as the youngest member of the Continental Congress. There is a serpent-like quality to him.

Gender: male

Vocal range top: A4

Vocal range bottom: C3

Abigail Adams

Loving wife to John Adams. Intelligent, quick-witted, and talented with a pen, Abigail is a radiant and shapely beauty. Every bit as bright as her husband.

Gender: female

Vocal range top: F5

Vocal range bottom: Db4

Martha Jefferson

Thomas Jefferson's very-much-in-love wife. Her looks are striking, her dancing delightful, and her humor appealing. She doesn't shy away from a good time. Joy radiates from her.

Gender: female

Vocal range top: D5

Vocal range bottom: Bb3

Courier

The message runner between General Washington's army and the Continental Congress. He has witnessed the hardships of war firsthand, although his innocent disposition and appearance may imply otherwise.

Gender: male

Vocal range top: Db4

Vocal range bottom: C3

Show History

Inspiration


After writing a number of popular songs, composer/lyricist, Sherman Edwards, began seven years of research on the American Revolution in the Morristown, New Jersey, Public Library in the late 1950s. He took another two years to write the songs and libretto for a musical about the signing of the Declaration of Independence.

When Peter Stone came on board to write the book, he concentrated on the arguments and intrigue that occurred during the Second Continental Congress. He took some historical liberties: the actual Declaration of Independence was signed by 56 people over a period of several months, not on July 4, 1776; Jefferson did return to Virginia to visit his wife; John Adams's cousin, Samuel Adams, was also a prominent delegate from Massachusetts. The changes were made to enhance the drama in a story for which the audience already knew the outcome. The finished show was an unconventional Broadway musical in many respects: there was no chorus of dancing women (there were only two women in the entire show), there was no intermission and some scenes (of which, there were only seven) had no music.

Productions


1776 opened on Broadway on March 16, 1969, at the 46th Street Theater. The cast included David Ford as John Hancock, William Daniels as John Adams, Ken Howard as Thomas Jefferson, Howard Da Silva as Benjamin Franklin, Paul Hecht as John Dickinson, Ronald Holgate as Richard Henry Lee, Betty Buckley as Martha Jefferson and Virginia Vestoff as Abigail Adams. The sets and lighting were by Broadway veteran, Jo Mielziner, and the costumes were by Patricia Zipprodt. The show ran for a total of 1,217 performances.

A very successful national touring production opened in San Francisco in 1970 and ran for over two years.

The London production of 1776 opened on June 16, 1970, at the New Theatre. The production starred Lewis Fiander as Adams, Vivienne Ross as Abigail Adams, Ronald Radd, Bernard Lloyd, David Kernan as Rutledge, John Quentin as Jefferson and Cheryl Kennedy as Martha Jefferson.

1776 was revived on Broadway by the Roundabout Theatre Company, opening on August 4, 1997, in a limited engagement at the Roundabout's home theatre, the Criterion Center, before transferring to the George Gershwin Theatre on December 3, 1997, for a commercial run. It closed on June 14, 1998, after 333 performances and 34 previews. The production was directed by Scott Ellis with choreography by Kathleen Marshall, and featured Brent Spiner as Adams, Michael Cumpsty as Dickinson, Pat Hingle as Franklin and Paul Michael Valley as Jefferson.

Cultural Influence

  • In 1972, Jack Warner produced the film version of 1776 for Columbia Pictures. It is now available on videotape and laserdisc. Many of the people associated with the Broadway show were involved in the film version, including Peter Stone, Sherman Edwards, Peter Hunt, William Daniels, Howard Da Silva and Ken Howard.
  • There have been several cast recordings, including the original Broadway cast (1969), the original London cast (1970), the British Studio cast (1970), the original motion picture soundtrack (1972) and the Broadway revival cast (1997).

Trivia

  • Scene Three of 1776 holds the record for the longest time in a Broadway musical without a single note of music played or sung – over thirty minutes pass between "The Lees of Old Virginia" and the next number, "But Mr. Adams."
  • A Director's Cut of the original film has been released on DVD. Both the look and sound of the original film have been improved through modern technology. Many cuts to the original film by the producer, Jack Warner, have been restored, including a musical numbers. Musical underscoring has been removed from several scenes without songs in order to strengthen the focus on dialogue. Bonus material includes commentary by director, Peter Hunt, and by Peter Stone, the book/screen writer. Among other topics, they discuss artistic liberties and anachronisms that were used to dramatize the events.
  • The original Broadway production of 1776 was nominated for five Tony Awards and five Drama Desk Awards. The 1997 Broadway revival was nominated for three Tony Awards and three Drama Desk Awards.
     
  • Sherman Edwards originally wrote a show about the Declaration of Independence on his own. That show was optioned by many producers, but Edwards always refused to let his libretto be rewritten by another writer. and that impeded its development. When producer, Stuart Ostrow, obtained the project, he approached Peter Stone to rewrite the book. Stone had been reluctant to return Ostrow's initial phone calls but he became enthusiastic after he heard the score. Ostrow convinced Sherman Edwards to allow Peter Stone write a new book for the show.
  • Composer/lyricist, Sherman Edwards, was a history teacher-turned-songwriter from Morristown, New Jersey. He spent ten years working on 1776.
  • Opening with a small advance sale, word-of-mouth and critical praise made 1776 the sleeper hit of of the late 1960s. It was a hit all over again when it was revived on Broadway in 1997.
  • John Adams and Thomas Jefferson both died on the fourth of July in 1826.
Critical Reaction

"On the face of it, few historical incidents seem more unlikely to spawn a Broadway musical than that solemn moment in the history of mankind, the signing of the Declaration of Independence. Yet, 1776, which opened last night at the 46th Street Theater, most handsomely demonstrated that people who merely go on the face of it are occasionally outrageously wrong. Come to think of it, that was also what the Declaration of Independence demonstrated, so there is a ready precedent at hand. 1776, which I saw at one of its critics' previews on Saturday afternoon, is a most striking, most gripping musical. I recommend it without reservation. It makes even an Englishman's heart beat a little bit faster. This is a musical with style, humanity, wit and passion. The credit for the idea of the musical belongs to Sherman Edwards, who has also contributed the music and lyrics. The book is by Peter Stone, best known as a Hollywood screenwriter. The two of them have done a fine job. The authors have really captured the Spirit of '76. The characterizations are most unusually full for a musical, and even though the outcome is never in any very serious doubt, 1776 is consistently exciting and entertaining, for Mr. Stone's book is literate, urbane and, on occasion, very amusing. The music is absolutely modern in its sound, and it is apt, convincing and enjoyable."
– Clive Barnes, The New York Times, March 17, 1969



"A magnificently staged and stunningly original musical was presented last evening at the 46th St. Theater. It is far, far off the Broadway path and far away in time. Its simple title is 1776 and its story concerns the writing of our Declaration of Independence. This is by no means a historical tract or a sermon on the birth of this nation. It is warm with life of its own; it is funny, it is moving. It plays without intermission, because an intermission would break its spell. It is an artistic creation such as we do not often find in our theater. Often, as I sat enchanted in my seat, it reminded me of Gilbert and Sullivan in its amused regard of human frailties; again, in its music, it struck me as a new opera. And the men who, after months of debate-some of it silly and petty-finally put their John Hancocks on our Document became miraculously human. The author of music and lyrics is Sherman Edwards, a onetime history professor who became a popular song writer. Edwards has worked on his conception for a decade, and now Peter Stone, known mostly as a scenarist, has made this idea into a libretto which works perfectly on a musical stage."
– John Chapman, Daily News, March 17, 1969



"The United States has become the well-spring of successful musical comedies of the English-speaking world in the past quarter century, but no one had written about that most American of events, the signing of the Declaration of Independence. This omission has now been corrected with the appearance at the Forty-Sixth Street Theater of 1776 (that's all there is to the title), presented by Stuart Ostrow with music and lyrics by Sherman Edwards and book by Peter Stone. We now really have our own thing in a musical, and it is pleasant to report that it is first-rate both as musical entertainment and as a semi-documentary. It is absorbing and exciting, and if history has been manipulated a bit here and there for dramatic purposes, the character of the men and the events of those remarkable months in Philadelphia come through admirably."
– Richard P. Cooke, The Wall Street Journal, March 18, 1969



"In this cynical age, it required courage as well as enterprise to do a musical play that simply deals with the events leading up to the signing of the Declaration of Independence. And 1776, which opened last night at the 46th St. Theater, makes no attempt to be satirical or wander off into modern by-paths. But the rewards of the confidence reposed in the bold conception were abundant. The result is a brilliant and remarkably moving work of theatrical art. 1776 has no plot in a conventional sense, and it makes no attempt to romanticize the Founding Fathers. It shows the delegates to the Continental Congress who met in Philadelphia that hot summer as a group of highly fallible, quarrelsome and sometimes pig-headed men, who dawdled away their days in bickerings and doubts, much to the indignation of John Adams, who wanted to get ahead with the business in hand. Yet they did somehow arise to the greatness of the momentous occasion. The attractive song numbers by Sherman Edwards are imaginatively brought in, Peter Stone's book is always skillful, and it handles the lighter moments, such as the brief romantic interludes for Jefferson and Adams, with sense and deftness. 1776 is a most exhilarating accomplishment."
– Richard Watts, New York Post, March 17, 1969

Connect
Show History

Inspiration


After writing a number of popular songs, composer/lyricist, Sherman Edwards, began seven years of research on the American Revolution in the Morristown, New Jersey, Public Library in the late 1950s. He took another two years to write the songs and libretto for a musical about the signing of the Declaration of Independence.

When Peter Stone came on board to write the book, he concentrated on the arguments and intrigue that occurred during the Second Continental Congress. He took some historical liberties: the actual Declaration of Independence was signed by 56 people over a period of several months, not on July 4, 1776; Jefferson did return to Virginia to visit his wife; John Adams's cousin, Samuel Adams, was also a prominent delegate from Massachusetts. The changes were made to enhance the drama in a story for which the audience already knew the outcome. The finished show was an unconventional Broadway musical in many respects: there was no chorus of dancing women (there were only two women in the entire show), there was no intermission and some scenes (of which, there were only seven) had no music.

Productions


1776 opened on Broadway on March 16, 1969, at the 46th Street Theater. The cast included David Ford as John Hancock, William Daniels as John Adams, Ken Howard as Thomas Jefferson, Howard Da Silva as Benjamin Franklin, Paul Hecht as John Dickinson, Ronald Holgate as Richard Henry Lee, Betty Buckley as Martha Jefferson and Virginia Vestoff as Abigail Adams. The sets and lighting were by Broadway veteran, Jo Mielziner, and the costumes were by Patricia Zipprodt. The show ran for a total of 1,217 performances.

A very successful national touring production opened in San Francisco in 1970 and ran for over two years.

The London production of 1776 opened on June 16, 1970, at the New Theatre. The production starred Lewis Fiander as Adams, Vivienne Ross as Abigail Adams, Ronald Radd, Bernard Lloyd, David Kernan as Rutledge, John Quentin as Jefferson and Cheryl Kennedy as Martha Jefferson.

1776 was revived on Broadway by the Roundabout Theatre Company, opening on August 4, 1997, in a limited engagement at the Roundabout's home theatre, the Criterion Center, before transferring to the George Gershwin Theatre on December 3, 1997, for a commercial run. It closed on June 14, 1998, after 333 performances and 34 previews. The production was directed by Scott Ellis with choreography by Kathleen Marshall, and featured Brent Spiner as Adams, Michael Cumpsty as Dickinson, Pat Hingle as Franklin and Paul Michael Valley as Jefferson.

Cultural Influence

  • In 1972, Jack Warner produced the film version of 1776 for Columbia Pictures. It is now available on videotape and laserdisc. Many of the people associated with the Broadway show were involved in the film version, including Peter Stone, Sherman Edwards, Peter Hunt, William Daniels, Howard Da Silva and Ken Howard.
  • There have been several cast recordings, including the original Broadway cast (1969), the original London cast (1970), the British Studio cast (1970), the original motion picture soundtrack (1972) and the Broadway revival cast (1997).

Trivia

  • Scene Three of 1776 holds the record for the longest time in a Broadway musical without a single note of music played or sung – over thirty minutes pass between "The Lees of Old Virginia" and the next number, "But Mr. Adams."
  • A Director's Cut of the original film has been released on DVD. Both the look and sound of the original film have been improved through modern technology. Many cuts to the original film by the producer, Jack Warner, have been restored, including a musical numbers. Musical underscoring has been removed from several scenes without songs in order to strengthen the focus on dialogue. Bonus material includes commentary by director, Peter Hunt, and by Peter Stone, the book/screen writer. Among other topics, they discuss artistic liberties and anachronisms that were used to dramatize the events.
  • The original Broadway production of 1776 was nominated for five Tony Awards and five Drama Desk Awards. The 1997 Broadway revival was nominated for three Tony Awards and three Drama Desk Awards.
     
  • Sherman Edwards originally wrote a show about the Declaration of Independence on his own. That show was optioned by many producers, but Edwards always refused to let his libretto be rewritten by another writer. and that impeded its development. When producer, Stuart Ostrow, obtained the project, he approached Peter Stone to rewrite the book. Stone had been reluctant to return Ostrow's initial phone calls but he became enthusiastic after he heard the score. Ostrow convinced Sherman Edwards to allow Peter Stone write a new book for the show.
  • Composer/lyricist, Sherman Edwards, was a history teacher-turned-songwriter from Morristown, New Jersey. He spent ten years working on 1776.
  • Opening with a small advance sale, word-of-mouth and critical praise made 1776 the sleeper hit of of the late 1960s. It was a hit all over again when it was revived on Broadway in 1997.
  • John Adams and Thomas Jefferson both died on the fourth of July in 1826.
Critical Reaction

"On the face of it, few historical incidents seem more unlikely to spawn a Broadway musical than that solemn moment in the history of mankind, the signing of the Declaration of Independence. Yet, 1776, which opened last night at the 46th Street Theater, most handsomely demonstrated that people who merely go on the face of it are occasionally outrageously wrong. Come to think of it, that was also what the Declaration of Independence demonstrated, so there is a ready precedent at hand. 1776, which I saw at one of its critics' previews on Saturday afternoon, is a most striking, most gripping musical. I recommend it without reservation. It makes even an Englishman's heart beat a little bit faster. This is a musical with style, humanity, wit and passion. The credit for the idea of the musical belongs to Sherman Edwards, who has also contributed the music and lyrics. The book is by Peter Stone, best known as a Hollywood screenwriter. The two of them have done a fine job. The authors have really captured the Spirit of '76. The characterizations are most unusually full for a musical, and even though the outcome is never in any very serious doubt, 1776 is consistently exciting and entertaining, for Mr. Stone's book is literate, urbane and, on occasion, very amusing. The music is absolutely modern in its sound, and it is apt, convincing and enjoyable."
– Clive Barnes, The New York Times, March 17, 1969



"A magnificently staged and stunningly original musical was presented last evening at the 46th St. Theater. It is far, far off the Broadway path and far away in time. Its simple title is 1776 and its story concerns the writing of our Declaration of Independence. This is by no means a historical tract or a sermon on the birth of this nation. It is warm with life of its own; it is funny, it is moving. It plays without intermission, because an intermission would break its spell. It is an artistic creation such as we do not often find in our theater. Often, as I sat enchanted in my seat, it reminded me of Gilbert and Sullivan in its amused regard of human frailties; again, in its music, it struck me as a new opera. And the men who, after months of debate-some of it silly and petty-finally put their John Hancocks on our Document became miraculously human. The author of music and lyrics is Sherman Edwards, a onetime history professor who became a popular song writer. Edwards has worked on his conception for a decade, and now Peter Stone, known mostly as a scenarist, has made this idea into a libretto which works perfectly on a musical stage."
– John Chapman, Daily News, March 17, 1969



"The United States has become the well-spring of successful musical comedies of the English-speaking world in the past quarter century, but no one had written about that most American of events, the signing of the Declaration of Independence. This omission has now been corrected with the appearance at the Forty-Sixth Street Theater of 1776 (that's all there is to the title), presented by Stuart Ostrow with music and lyrics by Sherman Edwards and book by Peter Stone. We now really have our own thing in a musical, and it is pleasant to report that it is first-rate both as musical entertainment and as a semi-documentary. It is absorbing and exciting, and if history has been manipulated a bit here and there for dramatic purposes, the character of the men and the events of those remarkable months in Philadelphia come through admirably."
– Richard P. Cooke, The Wall Street Journal, March 18, 1969



"In this cynical age, it required courage as well as enterprise to do a musical play that simply deals with the events leading up to the signing of the Declaration of Independence. And 1776, which opened last night at the 46th St. Theater, makes no attempt to be satirical or wander off into modern by-paths. But the rewards of the confidence reposed in the bold conception were abundant. The result is a brilliant and remarkably moving work of theatrical art. 1776 has no plot in a conventional sense, and it makes no attempt to romanticize the Founding Fathers. It shows the delegates to the Continental Congress who met in Philadelphia that hot summer as a group of highly fallible, quarrelsome and sometimes pig-headed men, who dawdled away their days in bickerings and doubts, much to the indignation of John Adams, who wanted to get ahead with the business in hand. Yet they did somehow arise to the greatness of the momentous occasion. The attractive song numbers by Sherman Edwards are imaginatively brought in, Peter Stone's book is always skillful, and it handles the lighter moments, such as the brief romantic interludes for Jefferson and Adams, with sense and deftness. 1776 is a most exhilarating accomplishment."
– Richard Watts, New York Post, March 17, 1969

Connect

Billing

Book by
Music and Lyrics by

Requirements

You must give the authors/creators billing credits, as specified in the Production Contract, in a conspicuous manner on the first page of credits in all programs and on houseboards, displays and in all other advertising announcements of any kind.
Percentages listed indicate required type size in relation to title size.
"1776" 
(100%)
America's Prize Winning Musical 
(25%)
 
Music and Lyrics by SHERMAN EDWARDS 
(50%)
 
Book by PETER STONE
(50%)
 
Based on a concept by SHERMAN EDWARDS
(17 1/2%)
 
Original Production Directed by PETER HUNT
(33 1/3%) 
 
Originally Produced on the Broadway Stage by STUART OSTROW
(25%)

Video Warning

The videotaping or other video or audio recording of this production is strictly prohibited

Included Materials

Resource Quantity
DIRECTOR'S SCRIPT 2
LIBRETTO/VOCAL BOOK 30
PIANO CONDUCTOR'S SCORE 2
STUDY GUIDE 1

36.0735524, -115.0780226

39.3641091, -84.3202405

35.4811397, -79.1787934

26.7465889, -82.2613121

35.3620235, -86.2094342

40.8204008, -81.9395838

39.7820445, -84.0523006

38.6596164, -87.1683097

33.6277216, -86.6047255

42.9979423, -96.0582815

40.1266302, -87.6321302

29.7322987, -94.9675012

27.3012818, -82.529417

40.2982574, -83.0567742

28.469738, -81.4768783

38.6042209, -89.8105972

34.7299005, -86.5900703

43.174711, -78.6755141

28.0431468, -81.9501659

30.3100898, -95.4578869

39.7976945, -89.6475632

40.7591002, -82.5205449

38.3377239, -81.614088

30.770606, -88.0876472

34.2371785, -77.9458051

35.6520817, -78.4604469

33.9361127, -86.4902605

39.1057849, -84.5573931

38.8145835, -77.2683562

38.8145835, -77.2683562

38.6451291, -121.3625872

38.6451291, -121.3625872

38.5876469, -90.2994683

38.5876469, -90.2994683

44.4482267, -88.0602462

28.4870472, -82.580003

40.4337787, -84.976309

37.3480118, -79.2645168

41.496889, -90.4882478

28.6111296, -80.8084944

41.9452235, -78.6703777

37.3480118, -79.2645168

34.7817994, -82.3044871

34.7484948, -77.3768648

38.6486089, -83.7670784

41.4249722, -73.6781426

37.7453815, -122.4486701

39.8306441, -77.2292439

35.1526615, -106.5520294

34.1493056, -118.6096137

40.1223089, -74.0500703

40.6917936, -73.4815674

46.822307, -96.885504

35.261177, -81.0445117

38.9695597, -94.6684924

41.256067, -84.400553

26.7469781, -82.2612573

38.6093589, -121.3634797

41.9944409, -71.2099894

32.3454155, -97.3836929

44.0265059, -88.5510459

44.0982743, -70.2251504

40.1937286, -85.3847077

26.3760252, -80.1023579

43.0833454, -73.7840973

36.7581811, -119.8007415

36.1000793, -80.2519283

Title Address Organization Website Date Venue
1776

2100 Olympic Ave.
Las Vegas, NV 89014
United States

American Heritage Academy http://www.ahalv.org to American Heritage Academy
1776

5529 Mason Road
Mason, OH 45036
United States

Mason Community Players http://www.masonpla… to Mason Community Playhouse
1776

120 Carthage Street
Sanford, NC 27330
United States

Temple Theatre Inc http://www.templesh… to Temple Theatre
1776

138 Park Avenue West
138 Park Avenue West
Mansfield, OH 44902
United States

Renaissance Performing Arts Backlot
1776

1900 Kanawha Blvd East
Charleston,, WV 25305
United States

Charleston Light Opera Guild http://charlestonli… to Culture Center Theater
1776

801 Iroquois Street
Chickasaw, AL 36611
United States

Chickasaw Civic Theatre http://cctshows.com to Chickasaw Civic Theater
1776

310 Chestnut St
Wilmington, NC 28401
United States

Thalian Association Community Theatre http://thalian.org to Thalian Hall
1776

111 E 2nd St.
Clayton, NC 27520
United States

Clayton Theatricals to Clayton Center
1776

6801 2nd Ave West
Oneonta, AL 35121
United States

Community Arts Council Of Blount County http://www.blountco… to Community Arts Council Blount Co.
1776

801 Matson Place
Cincinnati, OH 45204
United States

Cincinnati Landmark Productions http://www.cincinna… to Warsaw Federal Incline Theater
1776

131 First St. W
Boca Grande, FL 33921
United States

Royal Palm Players https://www.leegov… to Boca Grande Community Center
1776

P.o.box 326
Tullahoma, TN 37388
United States

South Jackson Civic Center http://southjckson,… to South Jackson Civic Center
1776

132 Oakley Road
Wooster, OH 44691
United States

Summer Stage Wooster http://summerstagew… to Summer Stage Wooster
1776

3640 Colonel Glenn Highway
Creative Arts Center 140
Dayton, OH 45435
United States

Wright State University http://www.wright.e… to Festival Playhouse
1776

608 E Walnut St
Washington, IN 47501
United States

Veale Creek Theatre Co to Washington High School Auditorium
1776

225 Parkway Drive, Suite 103
Trussville, AL 35173
United States

Acta Theatre http://www.actathea… to Acta Theatre
1776

101 7th Street Southwest
Orange City, IA 51041
United States

Northwestern College http://www.nwciowa… to Dewitt Theatre
1776

109 W. North St.
Danville, IL 61832
United States

Dlo Musical Theatre to Danville Masonic Temple
1776

2 East Texas Ave
Baytown, TX 77520
United States

Baytown Little Theater http://baytownlittl… to Baytown Little Theatre
1776

3501 S Tamiami Trail
Sarasota, FL 34236
United States

Players Theatre-players Performing Arts School http://www.theplaye… to The Sarasota Players
1776

Williams Street
Delaware, OH 43015
United States

Arena Fair Theatre http://arenafair.com to Willis Performance Center
1776

6500 Turkey Lake Road
Orlando, FL 32819
United States

Dr Phillips High School http://www.dphsthea… to Dr Phillips High School Pac
1776

301 West St. Louis Street
Lebanon, IL 62254
United States

Looking Glass Playhouse http://www.lookingg… to Looking Glass Playhouse
1776

Po Box 654
Huntsville, AL 35804
United States

Theatre Huntsville http://www.theatreh… to Theatre Huntsville
1776

Two East Avenue
Lockport, NY 14094
United States

Historic Palace Inc http://www.lockport… to Historic Palace Theatre
1776

121 South Lake Ave
Lakeland, FL 33801
United States

Lakeland Community Theatre- Pied Piper Players http://www.lakeland… to Lakeland Community Theatre
1776

225 Metcalf St
Conroe, TX 77301-2853
United States

The Players Theatre Company http://www.playerst… to Owen Theatre
1776

420 S 6th Street
Springfield, IL 62701
United States

Hoogland Center For The Arts http://hcfta.org to Hoogland Center For The Arts - Lrs
1776

6303 Nottingham Ave
Saint Louis, MO 63109
United States

Saint Gabriel Archangel Players to Saint Gabriel Archangel Players
1776

9350 Braddock Road -
Burke, VA 22015
United States

Church Of The Good Shepherd- Good Shepherd Players Church Of The Good Shepherd
1776

9350 Braddock Road -
Burke, VA 22015
United States

Church Of The Good Shepherd- Good Shepherd Players Church Of The Good Shepherd
1776

4330 Auburn Blvd
Sacramento, CA 95841
United States

Freefall Stage http://freefallstag… to Epic Bible College
1776

4330 Auburn Blvd
Sacramento, CA 95841
United States

Freefall Stage http://freefallstag… to Epic Bible College
1776

6303 Nottingham Ave
Saint Louis, MO 63109
United States

Saint Gabriel Archangel Players to Saint Gabriel Archangel Players
1776

8390 Forest Oaks Blvd
Spring Hill, FL 34606-6844
United States

Stage West Community Playhouse https://stagewestpl… to Stage West Comm.playhouse/main
1776

131 E Walnut Street
Portland, IN 47371
United States

Jay County Civic Theatre to Hall Moser Theatre At Arts Place
1776

123 S. Broadway
De Pere, WI 54115
United States

Birder Studio Of Performing Arts http://cur8.com to Dudley Birder Theatre
1776

1776 Poplar Forest Parkway
Lynchburg, VA 24502
United States

Thomas Jefferson's Poplar Forest http://www.poplarfo… to Thomas Jefferson's Poplar Forest
1776

1584 34th St.
Moline, IL 61265
United States

Quad City Music Guild http://www.qcmusicg… to Quad City Music Guild
1776

301 Julia St
Titusville, FL 32796-3520
United States

Titusville Playhouse Inc http://www.titusvil… to Titusville Playhouse
1776

300 Campus Dr
Bradford, PA 16701
United States

Bradford Little Theatre http://www.bradford… to Bromlely Family Theater
1776

315 Winchester Road
Jacksonville, NC 28546
United States

The Seeing Place http://www.legacyth… to Legacy Theater Company
1776

1776 Poplar Forest Parkway
Lynchburg, VA 24502
United States

Thomas Jefferson's Poplar Forest http://www.poplarfo… to Thomas Jefferson's Poplar Forest
1776

Po Box 249
Mauldin, SC 29662
United States

City Of Mauldin to Mauldin Cultural Center
1776

555 Portola Drive
San Francisco, CA 94131
United States

Ruth Asawa San Francisco School Of The Arts http://www.sfsota.o… to School Of The Arts Main Stage
1776

116 West Second Street
P.o. Box 537
Maysville, KY 41056
United States

Maysville Players to Washington Opera Housee
1776

28 Gleneida Ave.
Carmel, NY 10512
United States

Brewster Theater Company http://www.brewster… to Drew United Methodist Church
1776

777 Glades Road
Boca Raton, FL 33431
United States

Florida Atlantic University-department Of Theatre to Univeristy Theatre
1776

474 Broadway
Saratoga Springs, NY 12866
United States

Home Made Theater to Saratoga City Music Hall
1776

1226 N. Wishon Avenue
Fresno, CA 93728
United States

Good Company Players http://www.rogerroc… to Roger Rocka's Dinner Theater
1776

650 W Sixth St
Winston-salem, NC 27106
United States

Theatre Alliance Of Winston Salem http://www.theatrea… to Theatre Alliance Of Winston Salem
1776

49 York Street
Gettysburg, PA 17325
United States

Gettysburg Community Theatre Gettysburg Community Theatre
1776

6400 Wyoming Blvd Ne
Albuquerque, NM 87109
United States

Albuquerque Academy http://www.aa.edu to Albuquerque Academy
1776

22300 Mulholland Dr
Woodland Hils, CA 91364
United States

Louisville High School to Louisville High School
1776

60 Abe Voorhees Drive
Manasquan, NJ 8736
United States

Algonquin Arts Theatre http://www.algonqui… to Algonquin Arts Theatre
1776

3945 Jerusalem Ave
Seaford, NY 11783
United States

Luke Neuhedel Foundation to Maria Regina Church
1776

800 40th Avenue East
West Fargo, ND 58078
United States

Sheyenne High School to Sheyenne High School
1776

Belmont Abbey College
100 Belmont Mount Holly Road
Belmont, NC 28012
United States

Belmont Abbey College Players http://www.abbeypla… to The Abbey Players
1776

8788 Metcalf Ave.
Overland Park, KS 66212
United States

Barn Players http://www.thebarnp… to The Barn Players
1776

1640 Stonemore Drive
Defiance, OH 43512
United States

Ft Defiance Players http://www.fortdefi… to Ft Defiance Players
1776

131 First St. W
Boca Grande, FL 33921
United States

Royal Palm Players https://www.leegov… to Boca Grande Community Center
1776

4300 El Camino Ave
Sacramento, CA 95821
United States

El Camino High School to El Camino High School
1776

888 S Main St
Mansfield, MA 02048-3145
United States

The Mass Arts Center http://www.massarts… to The Mass Arts Center
1776

305 S. Anglin St.
Cleburne, TX 76031
United States

Plaza Theatre Company http://plaza-theatr… to Plaza Theatre Company At Dudley Hal
1776

800 Algoma Blvd
Oshkosh, WI 54901
United States

Univ Of Wisconsin Oshkosh Theatre Department http://www.uwosh.ed… to Univ Of Wisconsin Oshkosh
1776

Great Falls Performing Arts Center
30 Academy St
Auburn, ME 4210
United States

Community Little Theatre Corp Laclt http://www.laclt.com to Community Little Theatre Corp
1776

216 E Main St, Muncie Civic Theatre
216 E Main St, Muncie Civic Theatre
Muncie, IN 47305
United States

Muncie Civic Theatre http://www.muncieci… to Muncie Civic Theatre
(264955)
Sorry, we didn't find any shows or authors matching the term "". Try our Full search