Full Synopsis
The curtain opens on a trio of Storytellers sharing the tale of a little ogre named Shrek. Papa and Mama Ogre sit Shrek down and have a coming-of-age talk with their son, telling him that, since he is now seven years old, it is time for him to make his own place in the world, and he must leave home ("Big Bright Beautiful World"). As the years pass, Shrek transforms into an adult and finds contentment living alone in a swamp on the edge of the kingdom of Duloc. Suddenly, the Captain of the Guards appears, leading a large group of Fairy Tale Creatures into the swamp, including Pinocchio, the Big Bad Wolf, the Three Little Pigs, the Wicked Witch, Peter Pan, the Ugly Duckling and the Three Bears. The characters have been exiled from the kingdom of Duloc and banished to live in the swamp ("Story of My Life"). Shrek returns home to find his once private swamp now teeming with the new inhabitants and angrily sets off to confront the leader of Duloc about the injustice.
As Shrek makes his way through a dense forest, he encounters a screaming Donkey under pursuit by more Guards from Duloc. Shrek scares off the guards and, having lost his way (and despite his better judgment), reluctantly agrees to let Donkey be his guide. Meanwhile, in Duloc, the Guards sing of the "gentrification" of the kingdom ("What's Up, Duloc? – Part 1"). Lord Farquadd appears, questioning the captive Gingy as to the whereabouts of an available princess that Farquaad could marry in order to become king and justly gain control of all of Duloc. Threatened with torture, Gingy relinquishes the information – there is a princess in a tower that is guarded by a dragon and surrounded by boiling-hot lava. Just as Farquaad and the residents of Duloc begin to celebrate their future queen ("What's Up, Duloc? – Part 2"), Shrek and Donkey arrive. Shrek demands the swamp be rightfully returned to him and, seizing an opportunity, Farquaad agrees to find a new home for the Fairy Tale Creatures if Shrek retrieves the princess for him.
High in her tower, Young Fiona dreams of being rescued by a handsome prince and living the idyllic fairy tale dream ("I Know It's Today"). The years pass, and Fiona grows more anxious day after day, nervous that the stories she's read have misled her. Despite her frustrations, she remains hopeful.
Meanwhile, Donkey passes time on the long journey by singing ("Travel Song"). Shrek and Donkey arrive at the castle and, donning a knight's helmet that he finds in the castle for protection, Shrek tells Donkey to wait while he rescues the princess. Shrek climbs Fiona's tower while she excitedly prepares for the arrival of her prince. The meeting doesn't go quite as Fiona had planned, and she mistakes Shrek for a brave knight because of his helmet. Shrek doesn't have time to correct this oversight as Donkey is now being pursued by the Dragon. Cornered in the dungeon, four imprisoned Knights warn Donkey that he may wind up like them. The Dragon, frustrated that no one ever pursues her, sings of her loneliness ("Forever"). Falling madly in love with Donkey, the Dragon spares his life, but attacks Shrek when she sees he's freed Fiona. The two battle, and Fiona finally gets her storybook adventure ("This Is How a Dream Comes True").
Having escaped the dragon, the group sets off for Duloc. Shrek reveals to Fiona that he is actually an ogre and has rescued her for Lord Farquaad. As the sun sets, Fiona demands to set up camp and disappears into a cave for the duration of the night. The Storytellers reveal that Fiona has been placed under a curse causing her to live "by day one way, by night another."
The next morning, Fiona is chipper and highly caffeinated ("Morning Person"). She greets the woodland creatures, including the Pied Piper and his disorderly Rats, with cheerful optimism. The group continues their journey, and Shrek and Fiona bond over their horrible lives thus far ("I Think I Got You Beat"). The song ends in a gassy display of bravado, and the two become friends. Donkey is convinced that their relationship is actually a budding romance ("Make a Move").
Having reached Duloc, Fiona postpones meeting Lord Farquaad for one more night and retires to a nearby barn to sleep as the sun sets. That night, Donkey stumbles into the barn and discovers Fiona's secret – she has transformed into an ogress. Fiona explains that she has been cursed to live by day as a human, by night as an ogre, and sees Lord Farquaad as her only chance for happiness because no one could ever love an ugly ogre. Shrek, who has worked up the courage to tell Fiona how he feels about her, overhears only the last part of Fiona's conversation with Donkey from outside the barn, and thinks she is talking about him.
The next morning, Shrek admits to Fiona that he heard everything she said. Fiona now thinks that he knows her secret and is unable to love her because of it. Just then, Lord Farquaad arrives to claim Fiona. He hands over the deed to Shrek's swamp and makes plans to marry Fiona that night. Hurt, Fiona accepts and leaves with him. The Fairy Tale Creatures drudge on, having been evicted from the swamp. Donkey pleads with Shrek to try to win back Fiona, and the Fairy Tale Creatures agree that he must be proud of who he is rather than ashamed by it ("Freak Flag"). With a sense of empowerment and a plan of action, the group decides to return to Duloc.
Just as the Bishop is about to marry Fiona and Lord Farquaad, Shrek and the Fairy Tale Creatures burst in. Shrek professes his love for Fiona ("Big Bright Beautiful World – Reprise"), and the Fairy Tale Creatures reveal that Lord Farquaad's father is a grumpy Dwarf. The discovery that Farquaad is actually a "freak," like the Fairy Tale Creatures he condemned, shocks and surprises everyone. During this, the sun has gone down and Fiona has transformed into an ogress. Disgusted, Lord Farquaad claims that the marriage is binding – he is now king and shall lock Fiona back in the tower forever to rule Duloc himself. Just then, the Dragon crashes through the castle wall and heaves a fiery breath at Farquaad. Afterward, all that's left of him is his scorched crown. Shrek and Fiona finally share "true love's kiss" and, although the spell is broken, Fiona doesn't turn back into a human. Shrek convinces her that she is beautiful just as she is, and everyone celebrates their individuality ("Finale").
Show History
Inspiration
Shrek The Musical is based on the Oscar-winning animated DreamWorks film, Shrek, which was released in 2001, featuring an all-star cast that included Mike Myers, Cameron Diaz, Eddie Murphy and John Lithgow. The original film was so successful that it led to a series of sequels: Shrek 2, Shrek the Third and Shrek Forever After. Both the movie and the musical draw from William Steig's picture book, Shrek!
Productions
Shrek The Musical held an out-of-town tryout at the 5th Avenue Theatre in Seattle from August 14, 2008, to September 21, 2008.
It began previews at The Broadway Theatre on November 8, 2008, and opened on December 14, 2008. Directed by Jason Moore and choreographed by Josh Prince, the production featured Brian d'Arcy James, Sutton Foster, Christopher Sieber, John Tartaglia and Daniel Breaker.
Shrek The Musical closed January 3, 2010, after 441 performances, 37 previews, and a twelve-month Broadway run. It then went on to have several national tours, as well as being frequently licensed in regional markets.
Following the Broadway production, Shrek The Musical premiered in the West End at the Drury Lane Theatre, where it ran from 2011 to 2013. It began its first UK National tour in 2014 and has gone on to be produced in many other countries internationally.
Cultural Influence
- A High Definition filming of the Broadway production was released on DVD, Blu-ray and digital download on October 15, 2013, in North America and December 2 in the UK.
- Broadway luminary, Sutton Foster, earned her fourth Tony Award-nomination for her performance as Princess Fiona.
- Shrek The Musical marked the first Broadway venture for DreamWorks Theatricals, a stage-oriented arm of the company that made the animated film.
Trivia
- Shrek The Musical was nominated for eight Tony Awards, twelve Drama Desk Awards, and a Grammy for Best Musical Show Album.
- Broadway legend Julie Andrews, who played Queen Lillian in Shrek 2, Shrek the Third and Shrek Forever After provided the voice for the audio instructions before each Broadway performance, reminding audience members to turn off their cell phones and unwrap their candies.
- The song "Donkey Pot Pie" (which is included on the show's cast recording) was later replaced by "Forever" for the national tour and all subsequent productions.
- The original production cost 24 million dollars, which meant that, at the time, it was the most expensive musical to open on Broadway.
Critical Reaction
"This collaboration of David Lindsay-Abaire and Jeanine Tesori delivers a funny, lively fairy tale about a misanthropic outsider and a princess with a dark secret."
– Hartford Courant
"A fun, largely successful musical version of the first installment of the hugely successful film franchise."
– Hollywood Reporter
"It looks like a big, fat hit."
– USA Today
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- Music by
- Book and Lyrics by
Based on the DreamWorks Animation Motion Picture and the book by William Steig.
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Licensee shall incorporate the following credits and comply with all size and other restrictions on the title page of all playbills and programs, and in all houseboards, displays and in all other advertising, press release and any other promotional material, except as otherwise provided below, as follows:
SHREK THE MUSICAL (100%)
Book and Lyrics by
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Music by
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David Lindsay-Abaire
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Jeanine Tesori 50%
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Jason Moore and Rob Ashford (the “Broadway Director”) shall receive billing, unless waived in writing by Broadway Director, wherever the director of such production receives credit, directly above or below the other director’s credit (as determined by producer) in a size no less than the size of the billing to be accorded the director of such production. Broadway Director’s billing shall read as follows: ‘Original Broadway Production Directed by Jason Moore and Rob Ashford’.
In addition, the following biographies of the Authors and the Broadway Director must appear in all programs of the Play:
DAVID LINDSAY-ABAIRE (Book & Lyrics) was most recently nominated for two Tony Awards for his work on Shrek The Musical: Best Book of a Musical and Best Score (with composer Jeanine Tesori). Prior to that he was awarded the 2008 Ed Kleban Award as America’s most promising musical theatre lyricist and the 2007 Pulitzer Prize for Drama for his play Rabbit Hole, which premiered on Broadway at MTC’s Biltmore Theatre. Rabbit Hole also received five Tony Award nominations, including Best Play, and the Spirit of America Award. His other shows include Fuddy Meers, Kimberly Akimbo, Wonder of the World, High Fidelity and A Devil Inside, among others. In addition to his work in theatre, David’s screen adaptation of Rabbit Hole just finished shooting. It stars Nicole Kidman and is directed by John Cameron Mitchell. David is a proud New Dramatists alum, a graduate of Sarah Lawrence College and the Juilliard School, as well as a member of the WGA and the Dramatists Guild Council.
JEANINE TESORI (Music) has written three Tony-nominated scores for Broadway: Twelfth Night (Lincoln Center); Thoroughly Modern Millie (lyrics, Dick Scanlan); and Caroline, or
Change (lyrics, Tony Kushner; director, George C. Wolfe). The National Theatre production of Caroline, or Change in London received the Olivier Award for Best New Musical. Her first musical, Violet, written with Brian Crawley, received the NY Drama Critics Circle Award. She has received Drama Desk and Obie Awards, and was cited by ASCAP as the first woman composer to have “two new musicals running concurrently on Broadway.” She composed the music for the New York Shakespeare Festival’s Mother Courage, directed by George C. Wolfe and translated by Tony Kushner. Film scores include Nights in Rodanthe, Winds of Change, Show Business and Wrestling With Angels. She composed songs for the movie Shrek the Third and for the Disney DVD releases Mulan II, Lilo and Stitch II and The Little Mermaid III. Ms. Tesori is a member of the Dramatists Guild. She is a graduate of Barnard College and lives in Manhattan with her husband, Michael Rafter, and daughter, Siena.
JASON MOORE (Broadway Director). Broadway: Avenue Q, Steel Magnolias. Carnegie Hall: Jerry Springer: The Opera. Off-Broadway: Speech and Debate (Roundabout), Avenue Q (the Vineyard), Guardians (the Culture Project), The Crumple Zone. Associate directing: Les Misérables (Broadway, national tour), Ragtime (Vancouver). Writer: The Floatplane Notebooks (Charlotte Repertory Theatre). TV directing: episodes of “Dawson’s Creek,” “Everwood,” “One Tree Hill” and “Brothers and Sisters.” Jason has a BS in performance studies from Northwestern University.
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Item | Quantity Included |
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LIBRETTO/VOCAL BOOK | 26 |
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TYA PERFORMANCE TRACKS | 1 |
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HOW DOES THE SHOW GO ON-10/CS |
HOW DOES THE SHOW GO ON? |
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