Full Synopsis
Act One
Lights reveal a backdrop layered much like a pop-up book. A small cut-out of a pirate ship passes between the cut-out waves of the drop, firing a cannon to mark its entrance. The pirates themselves appear ("Pour, Oh Pour, the Pirate Sherry"), celebrating because their young apprentice, Frederic, attains adulthood today and is now a full-fledged member of their band. But Frederic announces that he will leave the pirates immediately. He had done his best for the pirates theretofore only out of a deep devotion to his duty under the apprenticeship which, after all, had been a mistake.
The pirates are deeply wounded, and Ruth, Frederic's nanny, explains ("When Frederic Was a Little Lad"). She had been directed by Frederic's father to apprentice Frederic to a pilot, but misheard and bound him to a pirate instead.
Frederic forgives Ruth her mistake and addresses the pirates: "Individually, I love you all with affection unspeakable, but, collectively, I look upon you with a disgust that amounts to absolute detestation." He tearfully vows to exterminate them all. But, since the time is only half-past eleven, and he is a pirate until twelve, he explains why they don't make very good pirates: their reputation for nobleness has gotten about, so that every person captured claims to be an orphan and invokes the pirates' mercy.
Ruth is worried about her own fate and proposes herself in marriage to Frederic. Frederic accepts, but with some reservation. Ruth is the only woman whom he knows; what if he meets another and finds out that Ruth is plain? The pirates, only too glad to let her go, assure him that "there are the remains of a fine woman about Ruth." The Pirate King bids Ruth and Frederic farewell, joyously returning to his pirate's life ("Oh, Better Far to Live and Die").
Left alone, Frederic seeks reassurances from Ruth about their upcoming alliance, which she gives as best she can without outright lying. Their parley is interrupted by singing voices, and Frederic spies a group of beautiful young women. Looking upon them, he realizes that he has been tricked by Ruth ("Oh, False One, You Have Deceived Me"), and dismisses her. Frederic, ashamed of his piratical appearance, hides from the approaching young women.
Major-General Stanley's daughters enter, seeking a secluded spot for a picnic ("Climbing over Rocky Mountain"). Seeing them about to take off their shoes and play in the water (how indecent!), Frederic reveals himself to them, warning them that their picnic spot is a pirates' lair ("Stop, Ladies, Pray!"). The daughters are frightened of him as a pirate but attracted to his youthful good looks. He proposes marriage to all of them at once ("Oh, Is There Not One Maiden Breast"), but they reject him.
Suddenly, Mabel appears. She is another of the Major-General's daughters and she is astonishingly beautiful. She chides her sisters for their lack of pity and consoles Frederic ("Poor Wandering One!") As Frederic and Mabel make each other's acquaintance, the other daughters pretend to give them some time alone while they chat about the weather ("What Ought We to Do").
Frederic hears the pirates approaching ("Stay, We Must Not Lose Our Senses") and urges the daughters to flee before them, but they stand so long, singing about their need to escape, that they fail actually to do so. The pirates capture the girls, although their notion of "rape" is to carry the girls off to a minister and marry them on the spot. Mabel stops them ("Hold, Monsters!"), warning them that their father is an illustrious personage: a Major-General! And he appears, boasting of his knowledge and abilities ("I Am the Very Model of a Modern Major-General").
Once the Major-General has been apprised of the situation, he objects to having pirates as sons-in-law. The Pirate King responds, "We object to Major-Generals as fathers-in-law. But we waive that point." The Major-General begs them not to rob him of his daughters, "the sole, remaining propos of [his] old age," as he is (of course) an orphan boy ("Oh, Men of Dark and Dismal Fate"). The pirates let him go, and everybody celebrates... except poor, abandoned Ruth, as the curtain falls.
Act Two
As Act Two opens, the Major-General's daughters try to comfort him ("Oh, Dry the Glistening Tear"). He is disconsolate because he has dishonored his ancestors by escaping the pirates through a lie. Frederic reminds him that he has only recently bought his lands and title and, therefore, cannot do too much damage to his family legacy. The Major-General explains that there are indeed somebody's ancestors buried on his land and, since he bought the land and all its contents, they are therefore his ancestors.
The Major-General says that he will be much more comfortable when Frederic has exterminated the pirates ("Then, Frederic, Let Your Escort Lion-Hearted"). Frederic summons his army of policemen ("When the Foeman Bares His Steel"), who are less than eager to go to battle. Mabel and the other daughters urge them on, and the policemen vow to go and do their duty... but they keep vowing for a long time before they are finally persuaded to go.
Frederic's relief at finally atoning for his years of piracy ("Now for the Pirates' Lair!") is interrupted by none other than Ruth and the Pirate King. They know of Frederic's love of paradoxes and propose a most ingenious one to him ("When You Had Left Our Pirate Fold"). It seems that Frederic was born on Leap Day, February 29, which only comes once every four years. Frederick is 21 years old, therefore, but has had only five birthdays. Unfortunately, the terms of his pirate apprenticeship are until his twenty-first birthday. By the terms of his indenture, he will remain a pirate until he is 84 years old! Frederic, bound by his sense of duty, agrees to go with them, bemoaning his fate and his consequential loss of Mabel ("My Eyes Are Fully Open"). Further constricted to duty, Frederic informs the Pirate King of the Major-General's deception. The Pirate King vows revenge ("Away, Away! My Heart's on Fire!").
Frederic is left alone with Mabel ("All Is Prepared") and he informs her of the sad situation. She begs him to ignore his duty ("Stay, Frederic, Stay!"), but he cannot. They vow to remain true until Frederic is free to marry her... in 1940. Frederic leaves to join the pirates, and Mabel mourns ("Sorry Her Lot"). But she is determined to go on ("No, I Am Brave,") and urges the policemen on to fight the pirates, even though their commander has switched sides. The policemen don't like their job – after all, criminals are people, too – but they set off to do it ("When a Felon's Not Engaged in His Employment").
The pirates approach ("A Rollicking Band of Pirates We") to get their revenge, and the policemen bravely hide. The pirates plot their burglary ("With Cat-like Tread, upon Our Prey We Steal"). Frederic quiets them ("Hush, Hush! Not a Word") as the Major-General approaches, kept from his sleep by a guilty conscience ("Sighing Softly to the River"). Just as his daughters come out to comfort him, the pirates ambush them and are, in turn, ambushed by the police.
A fight ensues. The police duel with billy clubs, the daughters with parasols. The scene is a kind of domestic version of the typical pirate epic battle scene, although no one gets hurt. The pirates win the battle, but the sergeant of the police calls on them to yield in Queen Victoria's name. The pirates surrender immediately, because "with all their faults, they love their queen."
Before the pirates can be led away, Ruth steps forward and reveals them as prodigal sons of titled families. The pirates are instantly forgiven, as "peers will be peers." Frederic is reunited with Mabel, Ruth is swept up by the sergeant, the pirates and daughters pair off and there is a happy ending for all ("Poor Wandering One").
Show History
Inspiration
While their previous hit, H.M.S. Pinafore, was running strongly at the Opera Comique in London, Gilbert was eager to get started on his and Sullivan's next opera and he began working on the libretto in December 1878. He reused several elements of their previous works, including a one-act piece from 1870, Our Island Home, which had introduced a pirate "chief," Captain Bang, as well as an idea that they had first considered for a one-act opera parody in 1876. Playwright, Bernard Shaw, also believed that Gilbert drew on ideas in Les Brigands for his new libretto, including the businesslike bandits and the bumbling police. Then, with the libretto and score sketched out, Gilbert and Sullivan tailored their opera to the particular abilities of the performers they were using.
Productions
The Pirates of Penzance is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert. The opera's official premiere was at the Fifth Avenue Theatre in New York City on December 31, 1879, where the show was well received by both audiences and critics. Gilbert directed and Sullivan conducted music rehearsals. The show's London debut was then on April 3, 1880, at the Opera Comique, where it ran for 363 performances, having already been playing successfully for over three months in New York.
The show remained popular for generations, living first in the music halls, later on the stages of operetta companies and later still through Gilbert and Sullivan companies and other nostalgic producers. In 1979, producer, Joe Papp, of the Public Theater in New York decided to revive the piece again and reconceived it as a flavorsome, ensemble-driven romp. The new version, directed by Wilford Leach and choreographed by Graciela Daniele, ran for 45 free performances in the summer of 1980 in Central Park's Delacorte Theatre. With Kevin Kline as the Pirate King, Rex Smith as Frederic, Linda Ronstadt as Mabel, George Rose as Major-General Stanley and Patricia Routledge as Ruth. The Pirates of Penzance was again an incredible smash.
Because of the success at the Delacorte, Papp brought his new The Pirates of Penzance to Broadway's Uris (now Gershwin) Theatre on January 8, 1981, with most of the same cast, Estelle Parsons replacing Routledge. This Broadway mounting lasted for 20 previews and 787 performances, at one point, even having to move to the Minskoff Theater. It was also later turned into a film in 1983, with most of the cast remaining intact, except for Angela Lansbury replacing Estelle Parsons as Ruth.
Aside from these productions, there have been countless tours, as well as regional and international productions of this crowd and critical favorite over the last century. Due to its staggering success, Papp's version has become the preferred performance version.
Cultural Influence
- Countless recordings have been made of The Pirates of Penzance, starting in 1921 with recording artists under the direction of Rupert D'Oyly Carte.
- In addition to the 1983 film based on the 1981 Broadway production, The Pirates of Penzance has inspired a number of other movies, television shows, musical comedies and theatrical events, as well as (perhaps even more so) being a point of reference in pop culture for decades.
- "I Am the Very Model of a Modern Major-General," often referred to as the "Major-General's Song" or "Modern Major-General's Song," is perhaps the most famous song in all of Gilbert and Sullivan's operas. It has been used numerous times in commercials, been referenced in a plethora of popular movies and television shows and is a mainstay audition song among performers.
Trivia
- Beyond the awards it has won, The Pirates of Penzance was nominated for an additional four Tony Awards, three Drama Desk Awards and two Olivier Awards, including one for Outstanding Musical Production.
- Before The Pirates of Penzance, Gilbert and Sullivan had just had an incredible smash with H.M.S. Pinafore – the entire world was still singing its tunes on the streets. According to one count, there were no fewer than a dozen companies of H.M.S. Pinafore playing in New York at the same time, none of them legal. Since copyright laws were virtually nonexistent for British authors in America, to get a firmer hold on their property, the great Gilbert and Sullivan decided to premiere their next work, The Pirates of Penzance, in New York.
- When Gilbert and Sullivan set sail from London to New York to mount the premiere of The Pirates of Penzance, they realized that they'd left the nearly finished score at home. The team spent the next few weeks furiously rewriting for the premiere.
- The Pirates of Penzance was the fifth Gilbert and Sullivan collaboration and the only one to have its official premiere in the United States.
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The original Broadway production of the MTI version of The Pirates of Penzance boasted an all-star cast led by Rex Smith and Linda Rondstadt and included Kevin Kline, Estelle Parsons and George Rose.
Critical Reaction
"Brilliant and entertaining."
– Chicago Theatre Beat
"The Pirates of Penzance has become a remarkably pliant concoction [and] ...more than any other Gilbert and Sullivan confection, it stands up remarkably well as a Broadway-style musical comedy& the kind of melody few modern composers can emulate."
– Chicago Tribune
"A veritable treasure chest of riches."
– Talkin' Broadway
"The Pirates of Penzance is arguably the best of the canon, combining the lyricism of The Mikado with the witticisms and almost unbelievable gullibility of the HMS Pinafore characters.... Sullivan's music, while being recognizably Sullivan, delights in pastiche moments, including of his own work.... Gilbert's book is full of invention and light-hearted puns. A perfect foil for Sullivan's music, Gilbert's characters are the most wonderful clump of dolts ever."
– TheatreView
Tony® Award
Theater World Award
Outstanding Actor in a Musical
Drama Desk Award
Outstanding Featured Actor in a Musical
Outstanding Director of a Musical
Outstanding Costume Design
Outer Critics Circle Award
Best Actor in a Musical
Best Direction of a Musical
Reproduction (Play or Musical)
Outstanding Musical
Connect
Playbill Vault (1981 Revival)
Billing
- Book by
- Music by
- Lyrics by
Requirements
Included Materials
Item | Quantity Included |
---|---|
LIBRETTO/VOCAL BOOK | 25 |
PIANO VOCAL/KEYBOARD ACT 1 | 2 |
PIANO VOCAL/KEYBOARD ACT 2 | 2 |
Production Resources
Resource |
---|
HOW DOES THE SHOW GO ON-10/CS |
KEYBOARDTEK |
LOGO TEES SIX-PACK ADULT MEDIUM |
SUBPLOT CUSTOMIZED SHOW POSTER |
STANDARD ORCHESTRATION
Instrumentation | Doubling |
---|---|
BASS | DOUBLE BASS , ELECTRIC BASS , GUITAR |
BASS 2 | DOUBLE BASS , ELECTRIC BASS , GUITAR |
KEYBOARD 2 | |
PERCUSSION | HAND CYMBAL , MARIMBA , TRIANGLE , VIBRAPHONE , XYLOPHONE |
PERCUSSION 2 | BASS DRUM , BELL TREE , CYMBAL , MARK TREE , PICCOLO , RACHET , TRIANGLE , TYMPANI , XYLOPHONE |
PERCUSSION 3 | BELL TREE , CYMBAL , FINGER CYMBAL , KIT , MARK TREE , RACHET , TAMBOURINE , TEMPLE BLOCKS , TRIANGLE |
REED 1 | ALTO FLUTE , FLUTE , PICCOLO |
REED 2 | ALTO SAXOPHONE , BASS CLARINET , CLARINET |
REED 3 | BASSOON , FLUTE |
REED 4 | CLARINET |
TROMBONE | BASS TROMBONE , TROMBONE |
TRUMPET | FLUGELHORN , PICCOLO , TRUMPET |