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Disney's The Lion King JR.
Celebrate the Circle of Life in this timeless story of courage, friendship, and destiny.
17
Roles
+ Ensemble
G
Rated
1
Act
Full Synopsis

Rafiki gathers the Animals of the Pridelands to welcome Simba, the newborn cub of King Mufasa and Queen Sarabi ("Circle of Life with Nants’ Ingonyama"). The king’s jealous brother Scar, no longer heir to the throne, skips the ceremony, upsetting Mufasa.

Time passes ("Grasslands Chant") and Young Simba grows into a curious young lion. Mufasa explains the circle of life and that Young Simba will one day be king of the Pridelands. Young Simba shares this news with Scar, who encourages his nephew to visit the forbidden Elephant Graveyard.

Young Simba finds his best friend Young Nala hunting with Sarafina and the Lionesses ("The Lioness Hunt") and invites her on his adventure. Once they ditch their overbearing babysitter Zazu ("I Just Can’t Wait to Be King"), the cubs encounter the ravenous Shenzi, Banzai, and Ed in the graveyard. Mufasa arrives and pummels the hyenas before taking the cubs home. Scar emerges from the darkness to recruit the Hyenas in his murderous plan to become king ("Be Prepared").

Back in the Pridelands, Mufasa reprimands Young Simba, then shares the guidance of their ancestors up among the stars ("They Live in You"). Enacting his plan, Scar leaves Young Simba alone in the gorge and signals the hyenas to scare a herd of wildebeest ("The Stampede"). Scar alerts Mufasa, who leaps into the stampede to save his son. Mufasa rescues Young Simba, but Scar pushes his brother back into the gorge, where he is trampled. Scar blames Young Simba for the king’s death and tells him to run away and never return.

As Sarabi, Young Nala, Rafiki, and the Lionesses mourn the loss of Mufasa and Young Simba ("The Mourning"), Scar assumes the throne, uniting lions and hyenas under his dark reign. Lost in the desert, Young Simba meets Timon and Pumbaa, who take him to their “worry-free” jungle home ("Hakuna Matata – Parts 1 & 2").

Under Scar’s reign, the Pridelands are nearly destroyed. Now grown, Nala decides to leave and seek help ("Shadowland"). To her delight, she finds Simba alive in the jungle ("Can You Feel the Love Tonight"). Nala urges him to take his rightful place as king, but still ashamed, Simba refuses. Rafki appears and helps Simba remember his father ("He Lives in You"). With newfound courage,
Simba agrees to return to the Pridelands.

Timon and Pumbaa distract the hyenas while Nala rallies the lionesses. Simba confronts his uncle, the truth of Mufasa’s murder is revealed, and Scar runs away, pursued by angry hyenas. With peace restored in the Pridelands, Simba takes his place as king and the circle of life continues ("Finale").

Rafiki

Rafiki is a wise mandrill who acts as a healer of the Pridelands and guides Simba on his journey home. She is an omniscient character, evincing an air of mystery. Rafiki has significant solos and leads the African chants throughout the show, so cast a confident performer with a strong singing voice who can convey both the character's wisdom and humor.

Gender: female

Vocal range top: C4

Vocal range bottom: A3

Mufasa

Mufasa is the strong, honorable, and wise lion who leads the Pridelands. Mufasa should command respect onstage and also show tenderness with his son, Simba. Cast a mature actor who can convincingly portray the authroity of a king. Mufasa passes away partway through the show, so be mindful of any potential sensitivites among your young performers when casting this role. 

Gender: male

Vocal range top: C4

Vocal range bottom: B3

Zazu

Zazu is Mufasa's anxious yet loyal assistant who is always busy trying to serve the king. Bound by an unfailing sense of duty, Zazu appears uptight but never wavers in trying to protect Young Simba. Cast an actor with good diction and comic timing to help convey Zazu's worried, rule-following nature in contrast to the more playful cubs.

Gender: any

Scar

Scar is the antagonist of the show, overcome with jealously of his brother, Mufasa, and nephew, Simba. Coldhearted and wickedly intelligent, he will stop at nothing to become king of the Pridelands. Cast a mature performer who can bring out this villain's dark side while handling Scar's sarcastic sense of humor.

Gender: male

Vocal range top: A4

Vocal range bottom: A3

Young Simba

Young Simba, the protagonist of the story, is an adventurous and endearing cub who can't wait to be king of the Pridelands. Young Simba is playful, energetic, and naive, but after his father Mufasa's death, he struggles with shame and questions his destiny. Cast a confident singer and a dynamic, high-energy performer in this role. Bear in mind that this actor will need to embody challenging themes involving the death of a parent, so be sure to cast this role thoughtfully and sensitively within your community.

Gender: male

Vocal range top: E5

Vocal range bottom: B3

Young Nala

Young Nala is a courageous lion and Young Simba's best friend who is not afraid to speak her mind. Look for a strong, spunky performer who can portray this confident cub. 

Gender: female

Vocal range top: C5

Vocal range bottom: A3

Simba

Simba, having grown from a cub to lion, is carefree on the surface while wrestling with guilt over his past. Cast a mature actor who can portray the complex moments as Simba reunites with Nala, mourns his father, and finds the strength to confront Scar. To help illustrate the connection to Young Simba, consider auditioning the two actors in pairs, and ensure that Simba and Young Simba share a movement vocabulary.

Gender: male

Vocal range top: E5

Vocal range bottom: B3

Nala

Nala has grown into a brave, empowered lioness who is fiercely protective over her pride and homeland. Cast a strong actress and singer who can embody Nala's courageous, determined nature. As with older Simba and Young Simba, consider the transition from Young Nala to Nala when casting this role.

Gender: female

Vocal range top: E5

Vocal range bottom: G3

Timon

Timon is an outcast meerkat who lives in the jungle with his best friend Pumbaa. This anxious mammal pretends to be the confident, relaxed leader of the duo but is actually afraid of their own shadow. Timon is one of the funniest characters in the show and should be played by a charismatic actor who understands comic timing.

Gender: any

Vocal range top: B4

Vocal range bottom: B3

Pumbaa

Pumbaa is a kindhearted, sensitive warthog who enjoys his simple life of grubs and relaxation. Cast an actor who can portray this loveable and loyal friend to Timon and Simba with deadpan humor.

Gender: male

Vocal range top: G5

Vocal range bottom: D4

Sarabi

Sarabi is a featured lioness, Mufasa's partner, and Simba's mother. Cast an actor who can deliver Sarabi's few speaking lines with warmth and command of a queen.

Gender: female

Banzai

Banzai is a slick yet childish hyena who works for Scar. Banzai is the closest thing this lazy group has to a leader, so look for an outgiong and confident actor who can portray nastiness and gruffness. As Banzai is always featured with Shenzi and Ed, consider auditioning the hyenas in trios. 

Gender: any

Shenzi

Shenzi is one of Scar's hyenas who plot to take over the Pridelands. She is the most brazen one of the trio and is always looking out for herself. With Banzai and Ed, she should be able to laugh loudly and long, as well as be menacing to Young Simba and Young Nala.

Gender: female

Ed

Ed is the third member of Scar's trio of lackeys. Ed's loud, cackling laugh is this hyena's only form of communication, so cast an actor who can laugh unabashedly and communicate through physicality and facial expressions rather than words.

Gender: any

Ensemble

The Ensemble plays various inhabitants of the Pridelands, such as giraffes, elephants, antelopes, wildebeest, and other creatures you choose to include. They even become part of the environemntal landscape, portraying the swaying grasslands and leafy jungle. This group can have as few or as many performers as your production permits.

Curriculum Connection
  • Science - Ecosystems
  • Social Studies - Source Material and South African Culture
  • Language Arts
  • Music
  • Visual Arts

Billing

Music and Lyrics by
Additional Music and Lyrics by
Book by

Requirements

You must give the authors/creators billing credits, as specified in the Production Contract, in a conspicuous manner on the first page of credits in all programs and on houseboards, displays and in all other advertising announcements of any kind.
Percentages listed indicate required type size in relation to title size.

Author Billing – Disney’s The Lion King JR.

In accordance with the Dramatic Performing Rights License, all advertising, such as posters and program covers, must include the show logo as provided in the ShowKit® Director’s Guide and all of the following author billing.
It is a violation of your contract if you crop or edit this logo in any way. You may keep this page for your records.
[Name of Organization]
Production of

The Lion King JR. black and white logo
Music and Lyrics by
ELTON JOHN & TIM RICE
 
Additional Music and Lyrics by
LEBO M, MARK MANCINA, JAY RIFKIN,
and HANS ZIMMER 
 
Book by
ROGER ALLERS & IRENE MECCHI
 
Based on the Broadway production directed by 
Julie Taymor
 
Originally produced on Broadway by
Disney Theatrical Group
 
The name of your organization must be billed in the form specified above, including the words “Production of” below your billing, which shall be visually contiguous with the title, all so that the audience is informed that you are the producer. Your billing shall be no less than 50% of the size of the logo or artwork title, as measured by the proportion of the average size of their names to the largest letter in the logo or artwork title. The size of the credits to the authors (listed above) shall be no less than 20% of the artwork or logo title as measured by the proportion of the average size of your name to the largest letter in the logo or artwork title.
The following credits should be included with MTI billing:
 
Music Adapted & Arranged by
Will Van Dyke
 
“It’s a Small World” written by Richard M. Sherman and Robert B. Sherman
“Let It Go” written by Kristen Anderson-Lopez and Robert Lopez
 
The size of the foregoing credits shall be no less than 20% of the size of the logo or artwork title, as measured by the proportion of the font point size to the height of the largest letter in the logo.
Further examples of proper billing can be found in Sample Poster and Program found in Section G of the Director’s Guide.

Video Warning

ANY VIDEO RECORDING MADE OF THIS PERFORMANCE IS AUTHORIZED FOR PERSONAL, AT-HOME, NON-COMMERCIAL USE ONLY. THE SALE OR DISTRIBUTION OF SUCH RECORDING IS STRICTLY PROHIBITED UNDER FEDERAL COPYRIGHT LAW.

Included Materials

Resource Quantity
ACTOR'S BOOK 30
CHOREOGRAPHY VIDEOS DIGITAL 1
DIGITAL SHOWKIT 1
DIRECTOR'S GUIDE 1
DOWNLOADABLE RESOURCES AND MEDIA 1
GUIDE VOCAL AND PERF TRACKS DIGITAL 1
PIANO VOCAL SCORE 1
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