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Andrew Lippa's Wild Party
Decadence and excess are the life of the party in this jazzy 1920s whodunnit.
13
Roles
R
Rated
2
Acts
Full Synopsis

Act One

It's the Roaring Twenties, and the beautiful, young Queenie – although she tries – cannot find a lover who is able to satisfy her desires – until she meets Burrs, a vaudevillian clown with a voracious appetite for women. Both Queen and Burrs have now met their emotional and sexual match ("Opening").

For a while, they live together, happily sated. Eventually, however, the relationship sours. Burrs' violent nature, which once thrilled Queenie, now scares her ("The Apartment"). Still, she longs to generate the same excitement that brought them together. She suggests a party, and Burrs agrees ("Out of the Blue").

The party begins with a parade of guests: Madeline the lesbian, Eddie the thug, Mae the dimwit, Jackie the dancer, lover-brothers d'Armondo, Dolores the hooker and Nadine the minor ("What a Party"). Although Queenie radiates beauty and confidence, Burrs preys on other women. He makes his move on their youngest guest, Nadine. Despite her casual reprimand of his behavior, Queenie wants to hurt Burrs in return ("Raise the Roof").

The vivacious Kate arrives with her new friend, Mr. Black ("Look at Me Now"). Queenie, quite taken by Black, plans to make her move on him. Kate drags him away to meet the other guests. Queenie's plans are momentarily undermined ("He Was Calm"). The party's revelry continues: Burrs hits on Kate; Madeline hits on Nadine, Eddie chugs beer and almost fights with Burrs. During the chaos, Black finds himself equally as taken with Queenie as she is with him – much to the chagrin of Kate ("Poor Child"). As revenge, Kate plans on seducing Burrs. Meanwhile, in a corner of the room, Madeline is in a drunken stupor and on the prowl for a woman, with very little success ("An Old-fashioned Love Story").

Although Queenie is fully aware that Burrs will threaten her physically, she makes her move on Mr. Black, easily getting him to dance with her. Burrs watches them, his ire rising. Unsuccessfully, Kate tries to get Burrs to dance – then, in order to diffuse the situation, Kate takes Queenie out of Mr. Black's arms and dances with her instead.

Burrs' violent reaction against Mr. Black and Queenie is prohibited by the whole company dancing the Juggernaut ("The Juggernaut"). At its end, Mr. Black and Queenie are together again. To get the reaction that he wants from Queenie, Burrs grabs Nadine, the minor, and makes out with her. This enrages Kate, who throws Nadine to the ground by her hair. Madeline rushes to aid Nadine. Burrs cuts into Mr. Black and Queenie's dancing. Managing to have her to himself, Burrs tells Queenie to stay away from Mr. Black. Laughing at him, Queenie says that she will do whatever she chooses. He twists her arm. They are interrupted by Oscar and Phil at the piano. Burrs releases Queenie, seeing that too many people are watching.

Burrs and Queenie join Oscar and Phil's epic musical number that is based on the story of Adam and Eve – Burrs plays Adam and Queenie, Eve ("A Wild, Wild Party"). Their number is interrupted by a discontented neighbor. Eddie and Mae yell insults to the man, and the crowd goes wild. The two celebrate their togetherness ("Two of a Kind").

Suddenly, Mr. Black approaches Queenie and pointedly asks why she stays with an abusive brute. She reflects on her situation and comes to the conclusion that, perhaps, she has just learned to like the aggressive treatment ("Maybe I Like It This Way").

Elsewhere, Kate is attempting to seduce Burrs. He refuses her advances and expresses his deepest, darkest feelings for Queenie – she is driving him crazy ("What Is It about Her?"). Kate tries to kiss Burrs, but he pushes away. Black kisses Queenie. She embraces him.

Act Two

The party rages on. Kate is alone and reflecting on her youthful indulgence ("The Life of the Party").

Alone in the bathroom, Queenie is taking stock of her predicament. Although she's angry that she has confided in Black, a virtual stranger, she recognizes his goodness. This both stirs and confuses her feelings. Black enters the bathroom with a drink. The two share a moment as Black conveys his admiration for Queenie ("I'll Be Here"). Suddenly, Burrs comes in seeking Queenie's attention. He apologies for his behavior and asks her forgiveness. Before she can respond, Kate arrives. She unsuccessfully tries to draw Burrs back onto the dance floor. Both men vie for her affections and devotion – Mr. Black asks Queenie to leave the apartment with him. Burrs asks her to stop the party and let them return to their isolation. Queenie is unable to respond to either man ("Listen to Me").

Frustrated and hurt, Burrs lashes out by physically threatening her. His outburst causes Queenie to leave the bathroom, and Black quickly follows. It is clear that Burrs is quickly becoming desperate and depressed ("Let Me Drown"). Soon after, he begins to hallucinate and hear Queenie's voice in his head. Thinking that Mae is Queenie, he mistakenly attacks her and angers Eddie. A fight ensues.

Mr. Black and Queenie return to find Eddie viciously beating Burrs. Queenie is afraid that Burrs will be killed if it is not stopped. Out of concern, Black rushes in and knocks Eddie unconscious with a chair. Mae tends to Eddie, and Kate comes to the aid of a passed-out Burrs.

Realizing all of the trouble that he is causing, Mr. Black tells Queenie that he will leave. Queenie, however, cannot let him go and leads him into the bedroom. In a moment of passion, the two begin making love. The party guests follow suit in the living room ("Come with Me").

Early the next morning, the revelers lie asleep in the living room. Kate wakes Burrs, who is beside her. Queenie is strikingly absent. Burrs, fearing the worst, staggers to the bedroom to find her in the bed with Black. When the two lovers wake, Queenie recoils in shock; Black jumps up and attempts to tackle Burrs but fails. Burrs moves to the dresser and locates a gun. Full of rage, he tries to force Queenie to make a choice between the two men. He threatens to kill Black and also threatens to kill himself ("Make Me Happy").

Black, who realizes that Burrs is about to make a decision, takes the chance and lunges at Burrs. The gun goes off. Burrs is dead. Fearing that Mr. Black will now be executed for the death, Queenie urges him to flee. Before leaving, Black professes his love for her ("Poor Child – Reprise"). Queenie, now having lost both men, questions how things managed to reach that point of loss. She exits the apartment – with her coat – all eyes upon her sad, beautiful grace ("How Did We Come to This?").

Black

Strong, handsome, and poised without being posed. An enigmatic loner. Protective. No-nonsense kind of guy who cannot understand Queenie's attraction to Burrs. African-American.

Gender: male

Vocal range top: G5

Vocal range bottom: F3

Burrs

Handsome. A professional clown. Dangerous and charming all at once. Sexually ravenous and drawn to Queenie like a moth to the flame. Hurts somewhere deep inside, and slowly descends into jealous insanity.

Gender: male

Vocal range top: A5

Vocal range bottom: G3

Dolores

A party-goer pitching ideas and hoping to score with Sam. A wild woman of the night.

Gender: female

Vocal range top: A5

Vocal range bottom: A3

Eddie

Mae's husband who is perhaps even more dim-witted than she is. A big oaf. Can be a lovable teddy bear but also a quick tempered brute. Adores his wife.

Gender: male

Vocal range top: A5

Vocal range bottom: A3

Kate

A lush. Likes to be the "life of the party." Always looking out for number one, and is jealous of Queenie. Sexy, sensual, and confident.

Gender: female

Vocal range top: E5

Vocal range bottom: F3

Madelaine True

A tired woman with even more tired eyes and a cruel mouth. An announced lesbian. Sexually hungry. Blunt and very dry.

Gender: female

Vocal range top: E5

Vocal range bottom: A3

Mae

Eddie's wife. Sweet and beautiful, but not particularly bright. Adores her husband and dotes on him.

Gender: female

Vocal range top: D5

Vocal range bottom: A3

Sam

Busy producer and "attention whore." Trying to avoid the outrageous pitches made by Dolores, until it becomes sexual.

Gender: male

Vocal range top: A5

Vocal range bottom: A3

Oscar D'armano

Phil's brother and lover who dresses as his twin. A composer and an entertainer in every sense of the word. Very flamboyant.

Gender: male

Vocal range top: B5

Vocal range bottom: A3

Phil D'armano

Oscar's brother and lover who dresses as his twin. A composer and an entertainer in every sense of the word. Very flamboyant.

Gender: male

Vocal range top: A5

Vocal range bottom: A3

Queenie

Blonde and beautiful. Sexy. Looks a little older and more tired than her age would indicate. Afraid of being alone. Has become addicted to Burrs' presence and ravenous sexual appetite.

Gender: female

Vocal range top: F5

Vocal range bottom: F3

Nadine

The only minor at the party. Waifish and somewhat naïve. She is in over her head and trying to keep up.

Gender: female

Vocal range top: A5

Vocal range bottom: A3

Max

One of the party goers and a member of the usual "gang." He is full of life and energy.

Gender: male

Vocal range top: B5

Vocal range bottom: A3

Ensemble

Show History

Inspiration

Andrew Lippa's Wild Party is based on Joseph Moncure March's 1928 narrative poem of the same name. Lippa came across March's narrative poem while wandering through Barnes & Noble's poetry section, searching for a story to musicalize. He'd never heard of March's piece and did not know the 1975 James Ivory film version that starred James Coco and Raquel Welch.

Productions

Based on Joseph Moncure's narrative poem, Andrew Lippa's Wild Party was first developed in 1997 at the National Music Theatre Conference at the Eugene O'Neill Theater Center in Waterford, CT. It received further development at Manhattan Theatre Club in 1999 before opening Off-Broadway at the Manhattan Theatre Club on February 24, 2000. Directed by Gabriel Barre and choreographed by Mark Dendy, the production ran for 54 performances, closing in April of 2000. It starred Julia Murney as Queenie, Brian D'Arcy James as Burrs, Idina Menzel as Kate and Taye Diggs as Mr. Black.

In 2004, Andrew Lippa's Wild Party was produced as a part of the Edinburgh Festival Fringe. In recent years, it has been staged in cities throughout the United States, including Chicago, Baltimore, Cincinnati, Memphis and Reno.

Cultural Influence

  • Andrew Lippa's Wild Party Off-Broadway cast recording was released by RCA Victor on July 11, 2000.

Trivia

  • Besides winning for Outstanding Music, Andrew Lippa's Wild Party was nominated for an additional twelve Drama Desk Awards, including Outstanding New Musical.
  • Andrew Lippa's Wild Party coincidentally debuted during the same theatre season (1999-2000) as a Broadway production with the same name and source material.
Critical Reaction

"Tasty stew of jazz, blues, gospel and Tin Pan Alley... a sexy, sweaty, gloriously disorienting voyage."
– Chicago Tribune

 "...Tonally eclectic score vibrates with passion and memorable melodic hooks."
– Variety

"The infectious score by Andrew Lippa has a contemporary feel and offers energetic character numbers, impassioned ballads, and comical charm songs. ...Produces fully realized characters that are realistically flawed and conflicted."
– Talkin' Broadway

"...Breathtakingly powerful musical."
– Houston Press

Show History

Inspiration

Andrew Lippa's Wild Party is based on Joseph Moncure March's 1928 narrative poem of the same name. Lippa came across March's narrative poem while wandering through Barnes & Noble's poetry section, searching for a story to musicalize. He'd never heard of March's piece and did not know the 1975 James Ivory film version that starred James Coco and Raquel Welch.

Productions

Based on Joseph Moncure's narrative poem, Andrew Lippa's Wild Party was first developed in 1997 at the National Music Theatre Conference at the Eugene O'Neill Theater Center in Waterford, CT. It received further development at Manhattan Theatre Club in 1999 before opening Off-Broadway at the Manhattan Theatre Club on February 24, 2000. Directed by Gabriel Barre and choreographed by Mark Dendy, the production ran for 54 performances, closing in April of 2000. It starred Julia Murney as Queenie, Brian D'Arcy James as Burrs, Idina Menzel as Kate and Taye Diggs as Mr. Black.

In 2004, Andrew Lippa's Wild Party was produced as a part of the Edinburgh Festival Fringe. In recent years, it has been staged in cities throughout the United States, including Chicago, Baltimore, Cincinnati, Memphis and Reno.

Cultural Influence

  • Andrew Lippa's Wild Party Off-Broadway cast recording was released by RCA Victor on July 11, 2000.

Trivia

  • Besides winning for Outstanding Music, Andrew Lippa's Wild Party was nominated for an additional twelve Drama Desk Awards, including Outstanding New Musical.
  • Andrew Lippa's Wild Party coincidentally debuted during the same theatre season (1999-2000) as a Broadway production with the same name and source material.
Critical Reaction

"Tasty stew of jazz, blues, gospel and Tin Pan Alley... a sexy, sweaty, gloriously disorienting voyage."
– Chicago Tribune

 "...Tonally eclectic score vibrates with passion and memorable melodic hooks."
– Variety

"The infectious score by Andrew Lippa has a contemporary feel and offers energetic character numbers, impassioned ballads, and comical charm songs. ...Produces fully realized characters that are realistically flawed and conflicted."
– Talkin' Broadway

"...Breathtakingly powerful musical."
– Houston Press

Billing

Book by
Music and Lyrics by

Requirements

You must give the authors/creators billing credits, as specified in the Production Contract, in a conspicuous manner on the first page of credits in all programs and on houseboards, displays and in all other advertising announcements of any kind.
Percentages listed indicate required type size in relation to title size.
THE WILD PARTY
(100%)
 
Book, Music, and Lyrics by
ANDREW LIPPA
(50%)
 
Based on the Poem by
Joseph Moncure March
(25%)
 
Partially Developed and Received Readings at
The O'Neill Theater Center
during the 1997 National Music Theatre Conference
Originally Produced in New York City by The Manhattan Theatre Club
(10%)

Video Warning

The videotaping or other video or audio recording of this production is strictly prohibited

Included Materials

Resource Quantity
LIBRETTO/VOCAL BOOK 20
PIANO CONDUCTOR'S SCORE ACT 1 2
PIANO CONDUCTOR'S SCORE ACT 2 2

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38.8808532, -94.8109077

40.9989468, -74.2876982

37.2697264, -107.0486838

40.7877278, -73.9745088

42.3457683, -71.0896571

41.2274088, -81.6363869

35.0783815, -106.5758221

43.0786624, -70.7542917

34.7817994, -82.3044871

32.7465372, -117.249953

40.6859985, -73.6262553

40.7090176, -74.08634

41.6763305, -91.5808161

37.5481739, -77.4549385

36.0760867, -80.2355295

41.248892, -95.929984

42.7713402, -71.2444192

Title Address Organization Website Date Venue
The Wild Party

244 South Jefferson Street
Frederick, MD 21701
United States

Other Voices Theatre http://othervoicest… to Performing Arts Factory
The Wild Party

237 Hamburg Turnpike
Pompton Lakes, NJ 07442-1801
United States

Stageworks Theatre Group to Stageworks At Studio 237
The Wild Party

500 East Loula
Olathe, KS 66061
United States

Olathe Civic Theatre Association http://www.olatheth… to Olathe Community Theatre
The Wild Party

2313 Eagle Drive
Pagosa Springs, CO 81147
United States

Thingamajig Theatre Company, The http://www.thingthe… to Pagosa Springs Center For The Arts
The Wild Party

31 Hemenway
Boston, MA 2115
United States

Berklee College Of Music, Inc. to 31 Hemenway - T401
The Wild Party

Auditorium
3326 Everett Rd
Richfield, OH 44286-9718
United States

Western Reserve Playhouse http://www.thewrp.o… to Western Reserve Playhouse
The Wild Party

165 W 86th St
New York, NY 10024
United States

Hazen Cuyler Llc Dba The Greenhouse Ensemble to Pushkin Hall
The Wild Party

922 Park Avenue
Richmond, VA 23284
United States

Virginia Commonwealth University to Raymond Hodges Theater
The Wild Party

1533 South Main Street
Winston-salem, NC 27127
United States

North Carolina School Of Arts http://www.uncsa.edu to Freedman Theatre
The Wild Party

1106 South 10th Street
Omaha, NE 68102
United States

Bluebarn Theatre http://www.bluebarn… to Bluebarn Theatre
The Wild Party

19 Keewaydin Drive #4
Salem, NH 3079
United States

Cue Zero Theatre Company https://www.artsaca… to Arts Academy Of New Hampshire
The Wild Party

6320 B Domingo Ne
Albuquerque, NM 87108
United States

Musical Theatre Southwest http://www.mtsabq.o… to Musical Theatre Southwest
The Wild Party

125 Bow St
Portsmouth, NH 03801-3874
United States

Seacoast Repertory - Amateur Theatre http://www.seacoast… to Seacoast Repertory Theatre
The Wild Party

Po Box 249
Mauldin, SC 29662
United States

City Of Mauldin to Mauldin Cultural Center
The Wild Party

4944 Newport Ave.
San Diego, CA 92107
United States

Wild Song Productions http://wildsongprod… to Ob Playhouse
The Wild Party

1000 Hempstead Ave
Rockville Centre, NY 11570-1135
United States

Molloy University http://www.molloy.e… to Molloy College Madison Theatre
The Wild Party

2039 Kennedy Blvd
Jersey City, NJ 7305
United States

New Jersey City University to New Jersey City University
The Wild Party

1301 5th Street
Coralville, IA 52241
United States

Coralville Center For The Performing Arts to Coralville Center For The Perf Arts
(264955)
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