Quilt is a collage of stories for, from, and about The NAMES Project AIDS Memorial Quilt, a powerful piece of spontaneous art. The structure of the show reflects the structure of the AIDS Quilt by incorporating many individual stories into one tapestry that tells an overall story. The quilt has over 43,000 individual panels and is still growing. Each panel measures 3 x 6 feet. The musical celebration, Quilt, examines one 32-panel block of the quilt. Quilt is not a documentary. While it is based on real people and real situations, creative license has been used, and stories and events have been combined, shaped and altered.

Act One

A folded Quilt block is seen. A Reader enters and begins the opening ceremony of The Names Project AIDS Memorial Quilt – reading names that are shown on the panels and will be concerned in the show, in order of appearance. As the names are read, lights come up on eight Quilt unfolders dressed in white, who perform the unfolding ritual with the Quilt Block ("Something Beautiful").

Wes enters and sits on the floor, writing on the edge of a Quilt block with a magic marker. The date is October 11, 1987. He writes to his lover, Philip, who has recently died, welcoming him to eternity. He talks of how he initially had to be dragged to Washington to see the Quilt, but now he is happy that he went.

The Quilt block goes up in the air. The cast enters.

An alarm goes off as Wes re-enters. He looks upward and talks to Philip, telling him how much he misses him. Wes is also HIV+ and confesses that he has considered killing himself but that making a memorial panel for Philip has given him a reason to live a while longer. He has also started volunteering at the Gay and Lesbian Center Quilting Workshop. Although this is fulfilling, he still has a prescription that can end his life... and he looks ahead, to when he can join Philip.

We then see Karen in a bathrobe. She is 35, attractive, intelligent, thin and hyper ("Karen's Song 9:00 AM"). She carries two large shopping bags and transfers items meaninglessly from one bag to the other. She is finishing a call on a cordless phone, finding out that the Gay and Lesbian Center is open and offering its Quilting Workshop. She plans on going to the center but is very nervous, since she isn't gay. She realizes that she needs to go, though.

Next, we meet multiple family members who struggle with implications of their relative's deaths from AIDS. Cordelia Winthrop, a stately and regal 70-year-old woman, wonders how her granddaughter, Allison, could have died of AIDS, coming from such a fine family background. Cordelia commissioned this Quilt panel for her granddaughter; but she won't let the family name be put on it. Then, there's Vernon Duke, a Southern dirt farmer, who wonders how his son, Jeb, could have contracted AIDS while living in a small Southern town. A robber at an all-night gas station shot him down and killed him, and when he was dying, he asked that his body be given to help others. Unfortunately, those body parts contained HIV. There is also Maria, a Hispanic woman whose son, Hector, received one of Jeb's kidneys. Hector has since died. Finally, we meet Mrs. Polaski, who comes from a small town in Ohio and thinks that it is all gossip when people say that her son, Christopher, died of AIDS; no, he died of pneumonia.

The next vignette features Mikey and the Back-Up Boyz ("Hot Sex"). Mike is a straight boy who loves his hot sex. His teacher wants him to go on a field trip to see the AIDS Quilt. He has no interest in going but if he doesn't, he'll fail his class, so he decides to go. When he sees the Quilt, he notices a panel that is dedicated to Peggy Parker, the first girl with whom he ever had sex. She moved away two years ago from his town. This terrifies Mike, but he still tries to talk himself out of it, saying that maybe it was a different Peggy Parker. Mike believes that because he is not a drug user or a homosexual, he is safe from AIDS.

The story shifts back to Wes, who is at The Quilt Workshop at the Gay and Lesbian Center, talking once again to Philip. It is Gay Pride Day, and Wes is organizing things at the Center while celebrating the nineteenth anniversary of Judy Garland's death. He thinks back on how life was for all gays before and after Stonewall and how far everyone has come. Wes isn't feeling that well and is going in to have some routine blood work. He senses that he might be joining Philip soon.

Paul, a photographer, enters with a camera around his neck ("At a Distance"). He made a panel for his brother, Peter. Paul had a hard time accepting his brother's lifestyle and only came to terms with it after his death. In an attempt to make amends for time lost, he began volunteering at GMHC as a buddy, providing ongoing support to people with AIDS. The person he supported was Juan Ramirez, an ex-IV drug user.

Elsewhere, Todd's lover is discovered sitting on a stool, wearing a sweatshirt with "Todd's Lover" written on it. He is sewing on a Quilt panel. Todd's mother enters, wearing a sweatshirt that reads, "Todd's Mother." She moves a stool to the opposite end of the table, working on another Quilt panel. The two remember Todd very fondly ("Todd's Song"). When they finish, they hold up the panels and embrace each other.

Back at the Quilting Workshop at the Gay and Lesbian Center, Karen's materials are spread on the table in a disorganized fashion. Although she has calmed down a bit, she is still nervous ("Karen's Song 12:00 Noon"). She cut her finger while sewing and had to have stitches. She is now using super glue and in her anxious state, ends up gluing her hands together.

We go to a Quilt panel that shows Peter Pan and Tinkerbell, and reads, "Peter Brown." Timmy Bell, a short, energetic, twentysomething skater enters and reminisces about his late friend, Peter, a fellow skater who played Peter Pan. Peter helped Timmy accept his sexuality, and even though Peter is gone and Timmy misses his best friend, he has learned to go on with his life. He, too, is HIV+ but is trying his best to live as long as he can with the best attitude possible.

The next Quilt panel says, "Ralph – Ever the Best of Friends." Stewart appears. He is a neat and orderly antique dealer in his early fifties from Atlanta, Georgia ("Living with the Little Things"). He sings about Ralph, who left a cat and bird in his care. Even though these animals drive him crazy, he is grateful to have them, for a part of Ralph lives on through his pets.

There is also a panel with a top hat, tap shoes and music in the design. It is slightly tacky and homemade. The name reads, "Tommie Dee." Mr. and Mrs. D'Angelo, a middle class couple in their forties, appear and talk about their son who moved to New York to appear on Broadway ("Victim of AIDS"). He told them that he was gay, and they learned to accept both him and his lover, Dave. One night, they called home to tell Tommie's parents that they were negative for the AIDS virus and were going out to celebrate. That evening, Tommie and Dave were violently attacked by gay bashers. Dave got away and called the police, but Tommie was killed. Beside his body in blood was written, "AIDS FAGS DIE."

The next Quilt panel design is a door. It reads, "Daniel G. Morris – 7J – The Boy Next Door." Jane Woodward, a larger-than-life nurse, appears. She remembers Danny, her neighbor and friend ("Couldja Do Me a Favor?"). They both did favors for each other all of the time, and when he got AIDS, she did more for him than ever before. When he was in the hospital near the end, he asked her for one last favor; to smother him. She thought about it and then looked at the morphine drip. As a registered nurse, she knew what to do... and she did it. She just hopes that Danny is happier now and that he puts in a good word for her.

We move back to Wes at the Quilt workshop. The calendar says July 2, 1988. It is 10:00 AM. Wes is not doing well. As he talks to Philip, he tells him how his blood counts are not very good. He feels that the time has come. He takes out some pills and starts putting them in his mouth. Suddenly, sirens shriek and red lights flash. Wes looks up, startled.

Act Two

The second act begins with Mr. Leonce dressed as Shirley McClaine from Postcards from the Edge. He tells a story of his friend, Mr. Marco, and how he made sure that he had the funeral he would have wanted, despite the objections of the funeral director's wife.

Back at the Gay and Lesbian Center, Karen is at a sewing machine ("Karen's Song 3:30 PM"). She is now calm; Wes taught her how to sew, and everything seems to be going along rather smoothly. She remembers Tedd, a psychiatrist with whom she worked at Cabrini Medical Center after she got her MBA from NYU. He was a handsome man, and she was wild about him. He even asked her out, but every time he took her home, he kissed her like a sister. When she finally made him dinner at her house and confronted him about his aloofness, he told her that he was gay but swore her to secrecy. He wasn't very comfortable with his sexuality and didn't want anyone to know the truth. So, Karen became his official date. Unfortunately, he didn't let anyone know that he was sick until it was too late. He disappeared to another hospital, and Karen didn't see him until he was already in a coma.

The sound of crickets is heard and a flashlight flashes. A candle is lit. Katy, age twelve, is reading a letter that she has written to the Quilt People. Her Uncle Billy was her favorite uncle. Her parents, however, didn't approve of him and the other man he brought around, Uncle Bruce. Finally, he stopped coming for visits, and he and Katy just wrote letters and cards. Eventually, the letters and cards stopped, too. Her parents told her that he died of AIDS. She saw the Quilt on television and made a panel with crayons for her Uncle Billy. In the panel are the words of a poem that he wrote to her. Uncle Billy appears, and the two of them share these special words ("I Believe in You").

The Quilt panel shows a Hawaiian shirt of tropical flowers that reads, "Chris Polaski, 1958-1986." Toby enters and remembers Chris, how he loved him so. He also talks of how he asked Chris' mother for help with the Quilt, but she refused. She even had everything that Chris left to Toby taken away, claiming that no dark-skinned roommate has rights to anything of her son's; she is Chris' family. She even called the Quilt Project to ask that Chris' name be removed from the Quilt.

Meanwhile, Wes is working on a panel. He's doing better than he thought. His T-cells are 800, not 80. The doctor made a mistake in reading the report. He talks to Philip and tells him that he will probably be staying down on earth for a while longer. In fact, he has met a younger guy, Timmy, who has been hanging around the Gay and Lesbian Center. He, too, is HIV+. Wes is learning to trust Timmy and is quite happy.

The next panel is a child's artwork. It says, "My Bri-Bri-Brian. 4 years old." Roberta Andrews steps forward ("In the Absence of Angels"). She is a former actress who was in a few made-for-television movies, but got married and left the business. She is a PWA – Person with AIDS – who received it during a transfusion and passed it on to her child when she gave birth to him. Unfortunately, this has been kept a secret because her husband is an esteemed state politician. She tried to use her connections to reach people of power. She even met President Reagan at the White House. She then decided to tell her story to the press and start The Coalition for Parents and Children with AIDS. She and her husband waited for the fallout, but their coalition became a huge success.

On the Quilt panel are a business suit, a white shirt and a tie. The name is "Michael Frank." Charles enters, dressed in a Brooks Brothers suit, and tells his story ("Autobiography"). For a long time, he denied his sexuality and bought into the conservative corporate system. He hid his relationship with Michael, and life seemed perfect until Michael got sick. Then, he found out the harsh reality of prejudice: Michael lost his job and eventually died. Now, Charles, has decided not to sit back anymore. He is member of ACT-UP and fights back against discrimination.

Finally, we see Karen's finished Quilt panel. On the top are letters that spell out "Dr. Tedd." The panel is an attractive mess, and she admires her handiwork proudly ("Karen's Song 10:00PM"). She is happy and thinks that she will be back next week at the Center to help out others in need. Wes talks with Philip about Karen, saying how she finished her panel without killing herself and others in the process. Wes looks forward to the day when his panel can be added to the Quilt.

Wes then brings all of the characters onstage to celebrate what happens when they forge one voice out of many ("One Voice"). When they come together in this way, they can change the world.