Hello!

Just inquiring about the possibility of just buying a script of this production?

Hello! 

I am music directing a production in the fall and would like to know what percussion instruments are required for both parts! An individual list for both parts would be most helpful as I am hiring musicians!

 

 

We have contracted with MTi to do Jekyll and Hyde and we need to know when the scores, etc. will be delivered. Our auditions are this week and I am just looking for a confirmation date on the delivery.

Thank you,

Katherine Beeson

West Allis Players

We have contracted with MTi to do Jekyll and Hyde and we need to know when the scores, etc. will be delivered. Our auditions are this week and I am just looking for a confirmation date on the delivery.

Thank you,

Katherine Beeson

West Allis Players

Is there a version for performance that includes 'Good N' Evil' in place of 'Bring on the Men' ?  Is ths somthing that can be negotiated within a contract?

The lead and supporting characters in Jekyll and Hyde are predominantly male. We would love to cast our show gender-blind, aside from the 3 leads. Can we cast females actors in male roles but keep all aspects of the storyline intact? And would we be allowed to change pronouns (not the names) if we do end up casting females actors in male roles? Thanks!

Looking into the possibility of getting license to perform Jekyll and Hyde the way it was in the 1994 Concept recording. I have heard that sometimes the following "substitutions" are approved. Also that the Concert version that toured from 2004-2007 was identical to the 1994 Concept Recording. Are these a possibility for anyone?: "I Need to Know", sung by Jekyll, was re-instated to the score (placed after "Lost in the Darkness"; in some productions it is in its place Reprises #1, #2 and #4 of "Façade" are generally removed; in effect "Façade (reprise #3)" becomes "Façade (reprise)" "Bring On the Men" re-instated in place of "Good 'N' Evil" "Streak of Madness" re-instated in full, and re-titled from "Obsession" "Bitch, Bitch, Bitch!", sung by the ensemble, is re-instated in some, but not all, productions (placed after "Façade") "Girls of the Night", sung by Lucy and the whores, is re-instated in some, but not all, productions (placed after "In His Eyes")