MTI is pleased to provide the pre-approved rental materials of select songs for your symphonic concert performance. Please note, MTI is unable to grant the necessary Performance Rights with this material rental. The Performance Rights needed must be obtained separately through the individual song’s respective small rights agency such as ASCAP, BMI, or SESAC. Please email concerts@mtishows.com with any questions.
Learn more about the guidelines for creating your own concert here.
A show extraction is taken directly from the licensed show materials. No edits have been made to the song.
A show extraction is taken directly from the licensed show materials. No edits have been made to the song.
A Concert/Symphonic Arrangement has been specifically written for use in a concert setting. Generally this means it features a larger, typical symphonic orchestration than what you may find in the show. It is meant to be performed with one or more singers.
A show extraction is taken directly from the licensed show materials. No edits have been made to the song.
A Concert/Symphonic Arrangement has been specifically written for use in a concert setting. Generally this means it features a larger, typical symphonic orchestration than what you may find in the show. It is meant to be performed with one or more singers.
A Concert/Symphonic Arrangement has been specifically written for use in a concert setting. Generally this means it features a larger, typical symphonic orchestration than what you may find in the show. It is meant to be performed with one or more singers.
A Concert/Symphonic Arrangement has been specifically written for use in a concert setting. Generally this means it features a larger, typical symphonic orchestration than what you may find in the show. It is meant to be performed with one or more singers.
A Concert/Symphonic Arrangement has been specifically written for use in a concert setting. Generally this means it features a larger, typical symphonic orchestration than what you may find in the show. It is meant to be performed with one or more singers.
A Concert/Symphonic Arrangement has been specifically written for use in a concert setting. Generally this means it features a larger, typical symphonic orchestration than what you may find in the show. It is meant to be performed with one or more singers.
A show extraction is taken directly from the licensed show materials. No edits have been made to the song.
A show extraction is taken directly from the licensed show materials. No edits have been made to the song.
A show extraction is taken directly from the licensed show materials. No edits have been made to the song.
A show extraction is taken directly from the licensed show materials. No edits have been made to the song.
A show extraction is taken directly from the licensed show materials. No edits have been made to the song.
A show extraction is taken directly from the licensed show materials. No edits have been made to the song.
A show extraction is taken directly from the licensed show materials. No edits have been made to the song.
| Part Name | Doubling | Quantity |
|---|---|---|
| FULL SCORE | 1 | |
| PIANO/CONDUCTOR SCORE | 1 | |
| REED 1 | Alto Flute, Flute | 2 |
| REED 2 | Alto Flute, Flute | 2 |
| REED 3 | Bass Clarinet | 1 |
| REED 4 | Clarinet | 1 |
| REED 5 | Clarinet | 1 |
| HORN 1 & 2 | 1 | |
| TRUMPET 1 | 1 | |
| TRUMPET 2 | 1 | |
| TRUMPET 3 | 1 | |
| TROMBONE 1 | 1 | |
| TROMBONE 2 | 1 | |
| PERCUSSION 1 & 2 | Triangle, Drum Kit, Timpani | 3 |
| GUITAR | Acoustic | 1 |
| PIANO | 1 | |
| VIOLINS | 16 | |
| CELLO | 6 | |
| BASS | 5 |
Please Note: In some instances (i.e. Reeds, Percussion, etc.), additional copies of parts may be provided, in the event you wish to split out the doublings to multiple players.
A Concert/Symphonic Arrangement has been specifically written for use in a concert setting. Generally this means it features a larger, typical symphonic orchestration than what you may find in the show. It is meant to be performed without singers.
A show extraction is taken directly from the licensed show materials. No edits have been made to the song.
A show extraction is taken directly from the licensed show materials. No edits have been made to the song.
| Part Name | Doubling | Quantity |
|---|---|---|
| FULL SCORE | 1 | |
| PIANO/CONDUCTOR SCORE | 2 | |
| REED 1 | Alto Saxophone | 1 |
| REED 2 | Alto Saxophone | 1 |
| REED 3 | Tenor Saxophone | 1 |
| REED 4 | Tenor Saxophone | 1 |
| REED 5 | Baritone Saxophone | 1 |
| HORN | 1 | |
| TRUMPET 1 | 1 | |
| TRUMPET 2 | 1 | |
| TRUMPET 3 | 1 | |
| TROMBONE 1 | 1 | |
| TROMBONE 2 | 1 | |
| TROMBONE 3 | 1 | |
| PERCUSSION | Drum Set, Timpani | 2 |
| GUITAR | 1 | |
| PIANO | 1 | |
| HARP | 1 | |
| VIOLINS | 17 | |
| VIOLA | 7 | |
| CELLO | 6 | |
| BASS | 5 |
Please Note: In some instances (i.e. Reeds, Percussion, etc.), additional copies of parts may be provided, in the event you wish to split out the doublings to multiple players.
A show extraction is taken directly from the licensed show materials. No edits have been made to the song.
A show extraction is taken directly from the licensed show materials. No edits have been made to the song.
(1x) FULL SCORE, (2x) PIANO/VOCAL SCORE, (2x) PIANO/CONDUCTOR SCORE, (3x) REED 1 (Flute, Clarinet, Alto Saxophone), (2x) REED 2 (Clarinet, Alto Saxophone), (4x) REED 3 (Flute, Piccolo, Clarinet, Tenor Saxophone), (3x) REED 4 (English Horn, Clarinet, Tenor Saxophone), (2x) REED 5 (Bassoon, Baritone Saxophone), (1x) HORN, (1x) TRUMPET 1, (1x) TRUMPET 2, (1x) TRUMPET 3, (1x) TROMBONE 1, (1x) TROMBONE 2, (1x) TROMBONE 3, (1x) PIANO, (1x) HARP, (1x) GUITAR, (6x) PERCUSSION (Drum Set, Vibraphone, Xylophone, Timpani), (9x) VIOLIN A/C, (8x) VIOLIN B/D, (3x) CELLO A, (3x) CELLO B, (5x) BASS
A show extraction is taken directly from the licensed show materials. No edits have been made to the song.
| Part Name | Doubling | Quantity |
|---|---|---|
| FULL SCORE | 1 | |
| PIANO/CONDUCTOR SCORE | 2 | |
| VOCAL BOOK | 20 | |
| REED 1 | Alto Saxophone, Flute | 2 |
| REED 2 | Tenor Saxophone, Flute | 2 |
| REED 3 | Tenor Saxophone, Bass Clarinet | 2 |
| REED 4 | Baritone Saxophone, Clarinet | 2 |
| REED 5 | Baritone Saxophone, Clarinet | 2 |
| HORN 1 & 2 | 2 | |
| TRUMPET 1 | 1 | |
| TRUMPET 2 | 1 | |
| TRUMPET 3 | 1 | |
| TROMBONE 1 | 1 | |
| TROMBONE 2 | 1 | |
| PERCUSSION 1 & 2 | Drum Set, Timpani, Vibraphone, Triangle, Glockenspiel | 3 |
| GUITAR | Electric | 1 |
| PIANO | 1 | |
| VIOLINS | 16 | |
| CELLO | 6 | |
| BASS | 5 |
Please Note: In some instances (i.e. Reeds, Percussion, etc.), additional copies of parts may be provided, in the event you wish to split out the doublings to multiple players.
A Concert/Symphonic Arrangement has been specifically written for use in a concert setting. Generally this means it features a larger, typical symphonic orchestration than what you may find in the show. It is meant to be performed with one or more singers.
A show extraction is taken directly from the licensed show materials. No edits have been made to the song.
A show extraction is taken directly from the licensed show materials. No edits have been made to the song.
A show extraction is taken directly from the licensed show materials. No edits have been made to the song.
A show extraction is taken directly from the licensed show materials. No edits have been made to the song.
